gallery

1497 pieces, shuffled — reshuffle

Sketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne Carson Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Grainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limb Two clear printed head-bottles beside their signed label: 'Object #3 — Head of a Negress in the Form of a Plastic Vessel, 2018, Auriea XLVI. This head has been checked for leaks, but be careful.' MinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wall Spolia-Cutter Three stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlers Cover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II' Sketchbook 41 spread: Sunset Appreciation Society notes with a lighthouse lamp drawn in ballpoint, a turreted house, and below, gouache studies of a fountain and an ultramarine stair tower with the persons of the play (Salomé) listed Nintendo DS with Marcel Duchamp's Large Glass split across its two screens, the Bride above and the Bachelor Apparatus below Louise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn block Tall blurry photo: a bundled figure standing tiny at the foot of an enormous carved wooden church door Sketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hidden Sketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure' Kiki Smith's Getting the Bird Out: a black cast head lying cheek-down, a twine cord running from its mouth to a small black bird lying at its end Sketchbook 45 spread: graphite anatomy studies — a foot and lower leg, a hand resting on a shaded knee, and a seated nude's knees with a fist hanging over one of them Contact sheet of eleven webcam video stills, timestamped: a man and a woman on a green sofa in take after take — interview recording Sketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014 Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface Villa medici and the Black congress — She came to Viale della Trinità dei Monti at the hour when the stone begins to hold the day's heat like a secret. Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt Lecture slide: detail of Bernini's marble hand pressing into Proserpina's flesh, paired with a proportional construction of a face labeled Fig A Belgian identity card in a black wallet — the new Belgian ID — and below, freshly twisted hair seen from above Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured A tissue-lined box packed with translucent 3D-printed head-shaped bottles, their screw necks rising from the crowns like bottle caps Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Sketchbook 32 spread: a bushy tree in dried-blood red wash, and opposite, a chestnut tree in sanguine beside an Art Nouveau gate — 'with Laura in the park (citadel), 2006' Metope's Navigator tablet: the corner mini-map, the five view-mode buttons, and undo, redo and fit. Sketchbook 42 spread: ballpoint Christmas stocking hung from a switch plate, a basket of dried flowers, and studies of a toddler — walking away in a dress, laughing face, sulking mouth Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Cover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World' DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised The Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of ear MinoRinth canopy: the scanned tree bends into a dome of stippled black-and-sepia foliage over the copper chimneys of the maze towers James Jean's painting Sink: a robed minotaur pours a thread of water from a teapot toward a pale bald girl curled in a tub among dark leaves Sketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left page Tiny blurred frame of figures dancing in a room washed green and yellow Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Hero-machine comic cover: 'The Mighty Splintery Splinter' — a red-wrapped figure with a stick over its shoulder against a night skyline Desktop wallpaper grid of cute forest-creature illustrations in greens and plums — deer, mushroom folk, a peacock — with Mac folders scattered over it Sketchbook 42 closing spread: crayon figure studies — a standing figure in hot pink, yellow and green with rainbow scribbles beside it, and a fainter second figure dissolving into color bars Tale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on cream Sketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump study The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapel Star Trek Voyager cast photo: Janeway front and center with arms crossed, the crew in red and gold uniforms around her Plain pale pink square swatch METOPE paint and glaze figure Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil

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