gallery

1479 pieces, shuffled — reshuffle

Tiny green-on-black terminal: 'Everything is Ok — Bonnie-2:~ Auriea$' P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue Dark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridor Steam Top Sellers list with The Path at #8, $9.99, between Counter-Strike: Source and The Orange Box Tiny animated gif of a figure rising from a small fire against black Louise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencil Entropy8 baroque logotype: the letters E-N-T-R-O-P-Y-8 descending through a thicket of white rococo vines and flourishes on black Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branches A dead twig with curled brown leaves on a grey ground, two leaves lettered in white paint to spell perfekt Three views of the Object 01 head 3D-printed in blue wax beside a ruler, about five centimeters long, seen in profile, from above, and three-quarter Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook Sketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chapters Diptych: Filippo Lippi's Annunciation, angel kneeling before Mary among arcades — and a restaging on a sunny lawn, four friends posed before a little white chapel Metope's Material tablet: the PIGMENT and FIRED preview balls beside the colour well, sliders for roughness, metalness, emissive, clearcoat, subsurface and granulation, glaze flow and glaze colour, and the collapsible material library. Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication A single pink peony in a small blue vase on a green bench by an open window, next to a monitor showing Blender with a 3d tree model Extreme close-up of one made-up eye, winged eyeliner and freckles, looking sidelong Four Saint John test prints against orange: a white resin figure, black demon legs on a rod above a tiny reclining body, a small black figurine, and a bronze-patina cast Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Ink-wash self-portrait of half of Auriea's face in sepia strokes, one braid falling past her eye, the rest of the sheet left bare Three tiny black bird silhouettes flying across a long white banner Sketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things' Blender screenshot: a girl's head model mid-retopology, orange wireframe patch over the cheek of a shaded doll-like face Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' Sketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.' Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Plain web background graphic: a flat grey field rising on a shallow diagonal into white at the top Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes Salvador Dalí's 'Ten rules for him who wishes to be a painter', from rule 1 on making gold come out of your brush to rule 10: 'If painting doesn't love you, all your love for her will be unavailing' Max patch titled the larynx of frankenstein's monster: dozens of phoneme players wired into a gate, with the creature's demand for a female pasted alongside Cover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestal RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor Roma sketchbook: study of Daphne's hands sprouting laurel leaves at her fingertips, drawn in ink across the spread Sketchbook 32, page 34: pencil study of Rodin's Old Courtesan ('She Who Was Once the Helmet Maker's Beautiful Wife'), her bowed bony body in profile Sketchbook 42 spread: ballpoint figures on tan paper — a dark-haired woman embracing a bald figure from behind at left, faces and a clasped arm layered over blue washes at right MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it Digital self-portrait painting in ochre and umber tones: a woman with long dark hair gazing left, two small moons floating beside her head Inverted-color render: a bob-haired girl in negative, face patched black and white like a skull, one red shoulder Blender wireframe view of a cluster of bare trees for The Endless Forest, black lines on grey Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Photo-viewer collage of four self-portraits documenting dreadlocks: from behind, piled up close, topless holding the camera, and in profile Gustav Klimt's Medicine: Hygieia in red and gold at the base of a drifting column of entangled nude figures, a skull among them Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Close crop of a portrait study after a 19th-century painting: a black woman with hoop earring and white headwrap, unfinished edges Forensic facial reconstruction of Nicolaus Copernicus as an old man with white hair and a fur-collared red robe, made by the Polish police central crime laboratory

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