gallery

1479 pieces, shuffled — reshuffle

Teiji Furuhashi's Lovers: life-size nude figures projected walking and running around a dark room, a scaffold tower of projectors at its centre Raphael's Saint Michael Vanquishing Satan: the winged archangel in blue and gold descends with raised spear onto the demon writhing on the rocks Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Sketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legends Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insects A bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showing Sitting alone on a gray-day beach in a black jacket, sketchbook on knees, drawing the waves as they come in Three views of a small book silvered edge to edge: metal leaf cracking and peeling across the gutter of its open pages A sculptural bust featuring a bearded male figure in white marble or plaster, positioned in profile against a weathered green patina base with black and gold-spotted stone, set against a black background. The figure's classical features and flowing beard are rendered in sharp detail, while the contrasting materials and oxidized finish suggest an aged or intentionally antiqued decorative object. Auriea Harvey, Iphigenia Poliriea: ZBrush render of a mauve cyclops head with tight sculpted curls and one teal eye, resting atop a striped ziggurat pedestal Louise Bourgeois's giant bronze spider Maman standing over James Ensor's grave beside the brick church tower of Our Lady of the Dunes, Ostend MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky Sketchbook 48 spread in pencil: a bowl of fruit rendered in soft graphite, a week's copying schedule (Centaur, Diana, Rivers, Tiber), and a dark bowed head — 'let go of the photographic eye, see the form' Wide still from Bill Viola's Going Forth By Day: a procession of people carrying bags and jackets walks steadily through a sunlit pine forest Robin Minard's à voir, en silence: a black boxed edition holding a grey CD in the lid and a handwritten score sprouting wiry stems tipped with small piezo discs Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center iTunes playlist of 20 songs — Radiohead's Bullet Proof, Carmen McRae, XTC, Tom Waits, Sonic Youth, Roisin Murphy's Off On It highlighted Etching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floor Panorama of the Markt in Delft: herringbone brick square, gabled houses all around, the town hall at center, children and strollers at the statue's plinth Dutch growth chart of pale blue body silhouettes from two-month foetus to 25-year-old adult, heads aligned along red horizontal lines Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful Sketchbook 44 spread labeled 'Murillo': blue and graphite studies of standing nudes and women with 1960s bouffant hair, one gaunt figure gazing down at right — noted 'Battle of the Frigids, Slovenia' Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes QR code for the ProjectProject work The Mystery Reference collage for the cyclops: elephant and Deinotherium skulls, a museum proboscidean skull whose nasal cavity suggests one eye, Polyphemus sculptures and skeleton photograms Sketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forward Sketchbook 38 spread: a great cedar in the botanic garden, dark boughs in ink and wash spreading over water, small figures picnicking beneath Sketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...' Metope's Canvas tablet: the canvas shape modes (rectangle, circle, polygon), the block width, height and depth fields with the resize anchor, the block material dropdown with its reroll die, and the new-slab button. Ana Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bands Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail Anatomical fantasy drawing: skeleton of a crouched werewolf-like creature, skull snarling, drawn inside its transparent body outline Airmail envelope from the John Simon Guggenheim Memorial Foundation, 90 Park Avenue, addressed to Ms. Auriea L. Harvey A black Oxford city bicycle against a wall, the whole photo washed in rainbow gradients from red through magenta to green Two photographs of a Commodore VIC-20 blank programming cassette: the white tape labeled Side 2 above its silver-striped cardboard sleeve Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' Film still of a woman with red fabric mask across her eyes and ink marks on her face, beside a mosaic of the same image reduced to color swatches Snapshot of Delacroix's Death of Sardanapalus detail — the bearded king gripping the arm of the nude concubine arched back against the red bed — stamped with a 2001 camera date Sketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love' Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearing Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Sketchbook 48 spread: art-history lecture notes from the Académie Royale on the Three Graces, Mantegna and Titian, facing a tender graphite study of a seated faun with a Santayana quote on Americans and junk Silenus cradling the infant Dionysus, Roman copy after a Lysippan original, Vatican Museums inv. 2292. A vine-wrapped tree trunk carries the composition, and a plain squared strut ties Silenus' lower leg back to it. Photograph by sailko, CC BY-SA 3.0 via Wikimedia Commons. Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. Metope's Tools tablet: a grid of twenty shape tools (Pad, Coil, Stylus, Knife, Rake, Rib, Smooth, Smear, Pinch, Inflate, Scrape, Move, Crease, Chatter, Gnomon, Moulding, Drill, Extrude, Imprint, Stamp), the Relax Mesh and Rebuild Mesh buttons, and the brush sliders below. Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it

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