gallery

1504 pieces, shuffled — reshuffle

Sketchbook 32 spread: a copy of Rodin's Le Sommeil in red wash and pencil, the sleeping head dissolving into loose coiling lines — 'Le Sommeil, Monsieur Rodin' Beksiński painting: a figure with wild red hair and bared teeth, pearls at the throat, wrapped in a rotting ornate garment amid an orange haze Scanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black ground Cover of sketchbook 5 (1996): black spiral book chalked 'Pseudo Quasi Real — Auriea Sketchbook V' with a starburst doodle around a small photo of a torso Ace of Pentacles tarot card — a hand from a cloud holding a gold pentacle coin over a garden; caption 'Most favorable of all cards' Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze Young hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick paving Sketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten below Sketchbook 44: a magenta orchid painted in gouache and colored pencil against a smoky black-brown ground, buds above and a fainter penciled bloom emerging below Still from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darkness Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Cover of sketchbook 42: olive-green board embossed with a crackle pattern, a strip of yellowed cloth tape along the stitched spine and a bent wire clip at top Two-page spread from One Hundred Years of Solitude in which José Arcadio Buendía insists the day is still Monday, the time machine broken iPhone tarot app, three cards on green wallpaper: Five of Pentacles, Seven of Pentacles, Nine of Cups DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind The Path's graveyard: the girl in red stripes standing small among headstones and crosses under grey misty trees The grown supports with the overhang heatmap turned back on: almost no red remains, and the branches themselves show none, meaning the supports do not need supports of their own. A Fables comic read on a Nintendo DS: cover with boxing-glove title on top screen, then two-page spreads across both screens Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Black silhouette of a woman drifting mid-turn against a grey gradient, a faint reflection under her feet The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Two cartoon theme-park map details: the Cobra loop coaster marked 48, and the wooden Weerwolf/Loup Garou coaster marked 6 Comic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needs 19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text above Sketchbook 38 spread, Oudenaarde: a face rising behind watercolor foliage, gothic church windows, and a pencil driver seen in a car's wing mirror Sketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied out Inside the basilica of Fourvière in Lyon: blue-and-gold mosaic vaults, angel-topped columns, a glittering cylindrical chandelier against tall stained glass Spread of One Hundred Years of Solitude, pages 196–197, with 'Cease, cows, life is short' highlighted in yellow Photo of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the corner Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Wax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stem Glaze strength inside a groove, by groove width and Pool scale Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insects Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor Night desk: Wacom tablet showing a painting in progress of a girl in a forest clearing, laptop with the reference scene, headphones and the watercolor tin nearby Moth orchid in bloom on the desk at night, lamplight throwing its shadow across a shelf of small treasures — cup, boxes, prints, a gilt mirror ZBrush ZSphere reference table: illustrated rows of red-sphere diagrams explaining draw, move, scale, and rotate modes for building armatures Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Michelangelo's Madonna of Bruges in her dark marble altar niche at the Church of Our Lady, flanked by saints, candles, roses and pink blossom branches Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths 3d prop: an open wooden treasure chest with a faceted diamond on its red lining Back cover of sketchbook 33: a jeweled blue Renaissance sleeve and a hand leafing through a green book, collaged in leather corners with a floral tapestry band Smooth grey 3d male body in A-pose, faceless, feet on the green ground line Blurred black-and-white photo of the Penguin Classics Ovid Metamorphoses, its cover Bernini's Apollo and Daphne, her fingers bursting into laurel Sformo-Numbers Subtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?' Diptych by the wooden door: grinning in a fur-trimmed hooded coat, then hiding — pulling the hood down over her face

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