gallery

1497 pieces, shuffled — reshuffle

Robert Fludd's black square engraving, its edges inscribed 'Et sic in infinitum' on all four sides Jean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphim Handwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three times The MinoRinth play space in the studio: a spiral labyrinth taped in white on a wooden floor, an HTC Vive headset resting at its lit center, controllers at the edges Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down Sketchbook 44 spread over the printed chapter headings of Feu et Flamme: a tonal graphite nude curled around his knees, hands clasped over his feet Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ring Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade Sketchbook 38 fold-out: aquarium jellyfish in sepia and violet wash pulsing across two panels, beside a dark rooftop against a pink dusk Spolia-Style-Vine La Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky above Sketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire' Sketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in Rome Polaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floor E-book page with a note reading What I strive for when I write, pinned to Bloy's description of Huysmans dragging the Mother Image down the staircase of terrified Syntax Abstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange ground Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneath Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Book plate of Géricault's Left Hand, 1823: the artist's own hand drawn in black, red and yellow chalk, splayed and shadowed as if cast off, now in the Louvre Sketchbook 41 opening spread on grey paper: attempts at painting the moon in gouache — 'clouds hiding her face' — waves in white ink, and a figure in a red-pink cloak on a dark thorned hill Diary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper' Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness Sketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.' Tippi Hedren lighting her cigarette from a match held in a crow's beak — The Birds publicity photo RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her Sketchbook 44, drawn over the printed page 'Chapitre Premier' of Feu et Flamme: a faint pencil portrait of a girl with tousled hair, one eye darkly shaded Blurred photo of a mammogram machine in a beige clinic room, footswitches on the floor Gilded thousand-armed statue: a crowned deity with hands joined in prayer, a great fan of golden arms and open palms radiating behind the dark serene face Portrait of sculptor Kiki Smith in her overgrown back garden, grey curls loose, tattooed hand raised mid-thought Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow Spolia-UI-Overview Spolia-Style-Trunk Sketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayed A single white dahlia wide open in a green glass vase with sprigs of eucalyptus, on a white table Black-and-white particle image: an eye-shaped void opening in a field of bright specks, with a 1 cm scale bar and timecode Hazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a crane Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props MinoRinth from above: green-edged concentric maze rings curving below brick towers, their walls stitched with dotted purple seams ThinkPad X201 tablet open, keyboard in the foreground; the glossy screen reflects the photographer instead of showing anything — the Eureka Maru Freud's model of the mind as an iceberg: the conscious ego above the waterline, superego at the surface, and the vast unconscious id submerged below Sketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love' Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' Blender viewport for a VR lock: a pink segmented orb with a gold-lidded eye at its center, red tendrils radiating out beneath a spiked golden sun Grayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white sky Heather Mason's unlockable God of Thunder costume in Silent Hill 3: a tank top printed with the thunder god Raijin, her arms mottled with full-sleeve tattoos Two graphite studies of the Louvre's Old Centaur teased by Cupid, seen from behind and from the front, the winged child perched on the centaur's back Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Network diagram of red nodes joined by curving grey lines, spiraling loosely like a galaxy on a white ground Spy Test

147 more ›