gallery

1504 pieces, shuffled — reshuffle

Scanned book page on the twelvefold chain of dependent origination from Udana I: ignorance conditioning all links through old age, death, and suffering The Graveyard grandmother's face in wireframe over textured skin, black beret, on flat sky blue Sketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire' Spolia-UI-Overview Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene Cover of sketchbook 45: a small oil painting glued to the black cloth board — two extracted molar teeth painted thickly in ivory against a deep teal ground Sketchbook 48 Paris spread: Sainte-Chapelle Christmas concert — a sculpted angel spreading wings, a soprano mid-note, sprawled legs of listeners, and the music list: Mozart, Purcell, Pergolesi ZBrush close-up of a Path girl's hooded head, wireframed olive face with blank eyes inside a smooth grey hood Installation view of sculptures on a black-and-white striped platform in an OSB-lined room: a green curly-haired head, a white Venus figure, and a grey skull cluster Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst Paper background texture shaded all over in soft grey pencil strokes Spolia-Style-Trunk-Detail The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress A blood-red stag with towering antlers walking through tall grass and poppies — Tale of Tales anniversary card image Pie chart of weather, apparently of life: Cloudy 47.5%, Showers 27.9%, Sunny 19.7%, Dreary 4.9% Two Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style mask Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Sketchbook 43 spread: pencil lilies in a glass jar — 'Nature is organized. It's like all my life I've been worshipping the wrong goddess' — facing faint studies of hands and feet Sketchbook 47 Rome spread: colored-pencil study of legs against blue 'DIVO IOANNI' lettering, and a dense ballpoint drawing made standing at Bernini's Fountain of the Four Rivers — 'ROME III' Digital self-portrait painting in ochre and umber tones: a woman with long dark hair gazing left, two small moons floating beside her head Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' Cyan skeleton rig glowing over a barely-visible figure lying in a dark bed — animation bones for a sleeper Sketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foreground Sketchbook 40, IGS Cologne, Aug 15: pencil portraits of the indie games scene — Brandon Boyer, Michaël Samyn, Douglas Wilson — around the panel title 'Beyond Fun' Blurry mirror selfie in an ochre bathroom, flower decals on the glass and a green L on the wall, camera in hand Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion LECTOR reading a spread aloud, the current sentence highlighted Before and after, two selfies: long dreadlocks past the chest, then cut to chin length, holding up the severed hair with a grin (a face photobombing below) Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down Sketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangle Kiki Smith's Getting the Bird Out: a black cast head lying cheek-down, a twine cord running from its mouth to a small black bird lying at its end Netscape window on Windows 95 showing skinonskinonskin by Entropy8Zuper!: Auriea's face half-hidden under dreadlocks, a Z at her fingertips, chapter links across the top Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Dark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridor Sketchbook 32 dark side spread: Acropolis columns dripping in dark red ink, a Greek alphabet chart taped above a pencil island — 'first meeting with the Mediterranean sea, 2006' Rough digital sketch: a grinning bat-eared demon figure in a dark coat with a large white 6 painted on its chest, on tan ground A German Enigma cipher machine open in its wooden case: lamp board, keyboard, plugboard, and the instruction plate Zur Beachtung in the lid Metope's Scaffold tablet: symmetry axes, the six grid kinds with snap, the draw-shape modes, and the guide tools (ruler, compass, curve, poly, magnet). Duchamp's To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour: a striped pyramid and lens on shattered glass Max patch titled the larynx of frankenstein's monster: dozens of phoneme players wired into a gate, with the creature's demand for a female pasted alongside The same vessel after growing supports: branching oak-coloured struts descend from the rim and from the base ring, merging into a few thicker legs that meet the build plate. Till We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thorns Six stacked frames from Strange Days: the 11:59 millennium countdown, balloons and confetti over the crowd, and Angela Bassett with braids inside a car Audio editor screenshot: stereo waveform swelling to a dense block of sound just before the 1'00 mark Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Sketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke arm Six panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.' Subtitled frame from Serial Experiments Lain: Lain holds up a small chip between herself and her mirrored double — 'If I install this chip...' Official letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stamped

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