gallery

1479 pieces, shuffled — reshuffle

Cover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16 Animal Crossing screenshot: the player, eyes closed mid-song, exclaims Wahooo! in a wood-panelled interior with a pelican looking on Sformo-Mold-Exploded Silent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wall Netscape window on Windows 95 showing skinonskinonskin by Entropy8Zuper!: Auriea's face half-hidden under dreadlocks, a Z at her fingertips, chapter links across the top Sketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour lines Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars The Aristodikos kouros, ca. 510-500 BC, National Archaeological Museum Athens inv. 3938. The hands are lost but the stubs of the two struts that braced them to the thighs survive at hip height. Photograph by Gary Todd, CC0 via Wikimedia Commons. Correggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing face Drawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lid A denser QR code on white, larger than the first Sitting alone on a gray-day beach in a black jacket, sketchbook on knees, drawing the waves as they come in Rough digital sketch: a grinning bat-eared demon figure in a dark coat with a large white 6 painted on its chest, on tan ground Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette Sketchbook 43 spread: graphite studies of a bent leg and hand holding a pen, and on the right page feet dragged mid-stride, toes trailing across shaded ground Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Hazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a crane Two round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behind Charles-Auguste Mengin's Sappho: the poet in black veils bare-chested on a sea cliff at dusk, lyre at her hip, eyes downcast Side view of Auriea's sculpture Fauna: a child's serene face emerging from a cracked white plaster-like head veined with gold, one long ear drooping, on a dark printed base Work desktop: ballpoint sketches of a man's eyes, a red-ink figure drawing, and a 3d man with a dotted wireframe mask — '144 character modeling - Grandmother' in the dock Kiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulder Black-and-white photo of Frida Kahlo winking, pearl necklace and heavy earrings, a wire crossing in front of her face Sketchbook 47 spread: Tivoli notes on Villa d'Este's Hercules frescoes, and a watercolor of the artist's bare feet propped against the blue Bay of Naples with Vesuvius and Capri beyond — Sorrento and Pompeii notes around it Cover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red drips Child's pencil note on torn pink paper with a two-dollar bill pinned under it: here is a bracelet made by my mother and a two dollar bill my dad left — spend it wisely, Chad Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses Metope's Texture tablet, the pattern studio: a grid of pattern primitives and the recipe sliders that shape them, with the bake-to-form controls at the foot. Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Twitter exchange from February 2012: Auriea tells Hasan Niyazi she wants to make games with metaphysical catharsis; he wagers such a game is two console generations away; she replies 'we will be working to bring the future to you TODAY!' Francesca Woodman's Blueprint for a Temple: a large blue diazotype collage assembling photographed caryatids and Greek-key friezes into a temple facade Giuseppe Maria Crespi's Hecuba Blinding Polymestor: the Trojan queen in torn white silk drives her thumbs into the bound king's eyes as he claws backward in the dark Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world Black-and-white sign in Disney-style lettering: 'ALL SHE SAID WAS — HORRIBLE THINGS WILL HAPPEN' Metope's Material tablet: the PIGMENT and FIRED preview balls beside the colour well, sliders for roughness, metalness, emissive, clearcoat, subsurface and granulation, glaze flow and glaze colour, and the collapsible material library. Sketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind it The octagonal baptismal font of the Pisa Baptistry seen from the gallery above, a small bronze figure at its center, set in rings of inlaid marble floor Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' Wide still from Bill Viola's Going Forth By Day: a procession of people carrying bags and jackets walks steadily through a sunlit pine forest Bronze sculpture of Dryope: a nude woman mid-stride with a serpent winding up her body from ankle to shoulder, one hand crossed over her breast Stygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blur Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center Solid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raised Stage photo from a Dido and Aeneas production: three women entwined around a spreading dark-blue gown while a figure in white scatters red rose petals across the black floor Back cover of sketchbook 33: a jeweled blue Renaissance sleeve and a hand leafing through a green book, collaged in leather corners with a floral tapestry band

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