gallery

1479 pieces, shuffled — reshuffle

Book page from Liao Yiwu's The Corpse Walker: an interview in which Li describes the old profession of walking a corpse home in pairs, chanting 'Ya, ho, ya, ho' Sketchbook 32 spread, Athena 4 Oct 06: the Erechtheion caryatid porch in red ink, a purple caryatid 'cement copy', pencil snakes twisting below — 'growing hair, moving arms, shifting weight' Roma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its base Duchamp's To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour: a striped pyramid and lens on shattered glass A small white bunny with grey ears and nose sitting in a white bathtub, looking up with one dark red eye Cover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at center Heather Mason's unlockable God of Thunder costume in Silent Hill 3: a tank top printed with the thunder god Raijin, her arms mottled with full-sleeve tattoos Hands leafing through the Ray Caesar Art Collection monograph: the masked cover girl, a spider-legged theatre box, big-haired doll portraits, a drawing index page The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she Blurred black-and-white photo of the Penguin Classics Ovid Metamorphoses, its cover Bernini's Apollo and Daphne, her fingers bursting into laurel Grainy black-and-white portrait of young Isabelle Adjani with braided pigtails and dark-rimmed eyes, gazing gravely past the camera Sketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red ink The Piraeus Apollo: an archaic Greek bronze kouros mottled with green patina, standing with both forearms extended, one palm open Full master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre ground Roma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.' Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground The Endless Forest running on a museum kiosk: metal arcade cabinet with yellow joystick, four buttons and a recessed screen of forest Subtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?' Journal spread dated Friday 22 October 1993: a purple-sweatered figure with a scribbled dark face, and a lightbulb sketch holding two tiny figures Spiral notebook page dated 10/1/87 written entirely in an invented cipher of hearts, triangles, and squiggles, one line ending in a burst of exclamation marks Rough digital sketch: a grinning bat-eared demon figure in a dark coat with a large white 6 painted on its chest, on tan ground Cover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold wash Tiny dark graphic of a small white puff of cloud or smoke floating in blackness Black-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panels Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze The Rhine from a car window: Cologne Cathedral's twin spires on the skyline, barges below, a hand resting on the sill in shadow Triptych of skull self-portraits: cheek pressed to the plastic skull; regarding it at arm's length; holding it up as a second face over her own John Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clef Two Path scenes: the misty forest with the small white shrine among trunks, and the girl at a picket fence gate before the house glowing purple French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink Blender viewport for a VR lock: a pink segmented orb with a gold-lidded eye at its center, red tendrils radiating out beneath a spiked golden sun Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Small cut-out sprite of a low-poly man in brown jacket and jeans running away, seen from behind — Harry Mason of Silent Hill The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Four runway looks with furry animal masks — horned goat and sheep heads over tartan coats and prints Sketchbook 49 spread: Louvre notes on Giulio Romano and Pannini's paired Views of Ancient and Modern Rome, a monk-robed figure, a wine-red crouching nude hiding her face, and a pietà study Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication Cover of sketchbook 5 (1996): black spiral book chalked 'Pseudo Quasi Real — Auriea Sketchbook V' with a starburst doodle around a small photo of a torso Inside the MinoRinth maze: dark castle-like towers with chimneys loom over the walls under a curdled white-and-sepia sky Metope's Texture tablet, the pattern studio: a grid of pattern primitives and the recipe sliders that shape them, with the bake-to-form controls at the foot. Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown' Black-and-white photo of Frida Kahlo winking, pearl necklace and heavy earrings, a wire crossing in front of her face

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