gallery

1479 pieces, shuffled — reshuffle

Still from Shadow of the Colossus: Wander on his black horse Agro wheels before a towering, moss-grown stone colossus Collage 'Cautionary Tale': a watercolor figure with exposed bones walking on green ground, framed by torn handwriting and a small anatomical leg diagram Cover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold wash Front view of the small bronze Magdalene in raking sunlight, the skull nested in her hair above her folded arms and crossed legs Labeled photo of First Style wall decoration in the Samnite House, Herculaneum, ca. 100 BC: painted plaster courses marked plinth, socle, orthostats, frieze and cornice Self-portrait as a point cloud: a figure with dreadlocks floats dismembered inside a white wireframe cube on an endless blue grid Michelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawing Two Blender views of grandmother's house: the dark cutaway interior with staircase and lamp gizmos, and the whole cottage on shocking magenta terrain Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Sketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological art Unity editor: camera and sound gizmos hovering over a ground plane textured with a black-and-white cloud sky Belgian practical driving-exam sheet, 12/06/2014: 'Uitgesteld' — deferred — with the examiner's litany of Voorbehoud and Onvoldoende line by line Sketchbook 44 spread: ballpoint portraits drawn during video calls — faces labeled 'cyberkati', a bearded man smiling, a profile in glasses, hands, sleeping cats, and a red-pencil profile New Year's Eve tray on a yellow table: a bowl of chips, cheeses, clementines, cookies, and a hand pouring the sparkling wine Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind Sketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower left Sketchbook spread: ballpoint portraits of friends slouched in chairs, a pasted Gemini horoscope clipping, notes from 'Sat 24 April... 12:22am at Bob's instead' Textbook skeleton standing in anatomical position, palms forward, on a teal ground Blurry snapshot of a high school graduation: graduates in white caps and gowns walking past a coral-pink wall, Lauren among them Mac desktop tiled with video-chat screenshots — a classroom of students on the far end, the two callers picture-in-picture in each window Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor The Endless Forest deer with a glowing white skull face and huge branching red antlers like coral fins, standing in fog Yellow poster in underlined black capitals: You are about to do something you shouldn't — The Game Is Up! festival, 7 to 16 February 2007 Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarm Sketchbook 46 spread, mid-May: a painted self-portrait head balancing a cherry, a red heart, and pages of seed, fruit and flower studies — strawberry, plum, wheels and pods — over notes on thinking decoratively Three stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlers Small pill-shaped interface strip fading from white into warm grey Mirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dots The original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in front Tiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chair Victor Hugo's ink and sepia-wash drawing of an octopus, its curling tentacles emerging from golden-brown stains Two Louvre photos: a gilded ceiling crowded with ornament and putti, and Raphael's La Belle Jardinière with a sketchbook of tumbling cube studies held before it Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Sketchbook 32: Carpeaux's Ugolino and His Sons sketched from the back in sanguine wash, the huddled figures knotted together Sketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edge Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Black-and-white diagram of the lost circular pavement labyrinth of Santa Maria in Trastevere: eleven concentric mosaic rings around a dark center A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wall Charles-Auguste Mengin's Sappho: the poet in black veils bare-chested on a sea cliff at dusk, lyre at her hip, eyes downcast Film still of a woman with red fabric mask across her eyes and ink marks on her face, beside a mosaic of the same image reduced to color swatches Sketchbook 42 closing spread: crayon figure studies — a standing figure in hot pink, yellow and green with rainbow scribbles beside it, and a fainter second figure dissolving into color bars Concert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watching groworld research pair: a notebook drawing of an underground city with pheromone paths, and a photo of a pensive face, chin in hand — 'minimise borders and maximise edges' Sketchbook 25 spread of watercolors: a faint green figure bleeding through above, and below, a blond man in black standing in a Maine yard by a shed — the only known drawing of Rick Small black-and-white QR code on white Photo-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the grid Book paragraph on Mozart's finances, highlighted pink: 'neither he nor his wife had a good grasp of managing finances… they lurched from crisis to crisis' Sketchbook 46 spread: life-drawing session painted over a violet watercolor ground — standing, bending and cross-legged nudes reserved in white, one small figure in full dark wash Cover of sketchbook 27: a cream string-tie envelope with red button closures, bordered in blue-and-orange Japanese fan paper, a faint face sketched at top

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