gallery

1497 pieces, shuffled — reshuffle

Tycho Brahe's geoheliocentric diagram: the Moon circles the central Earth while the planets and a comet circle the Sun, in a period engraving Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles Official letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stamped Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane Sketchbook 47 Rome spread: colored-pencil study of legs against blue 'DIVO IOANNI' lettering, and a dense ballpoint drawing made standing at Bernini's Fountain of the Four Rivers — 'ROME III' Raphael's Saint Michael Vanquishing Satan: the winged archangel in blue and gold descends with raised spear onto the demon writhing on the rocks The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Notebook page 'The ultimate FINAL to do list' with nearly every line struck through in red, 'DONE!' scrawled at top Sketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the margin Victor Hugo's ink and sepia-wash drawing of an octopus, its curling tentacles emerging from golden-brown stains Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes Handbound felt-covered sketchbook with an iPod Touch bound in as a page, screen reading 'Sync in Progress' — three views of the book-with-battery Metope's Depth tablet: the depth histogram with resize and expand, the depth mask band, the CNC floor and ceiling limits, and the CNC check with bit reach, CNC preview and bit diameter. Five studio photos of Saint John the Baptist growing from a skeletal clay armature to a full figure raising a shell, long-haired and bearded, against red curtains Belgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled below Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow The same support forest assigned the bronze material instead of oak, so the struts read as cast metal against a marble body. Sformo-Numbers METOPE paint and glaze figure Garden corner with prikneus (rose campion) in bloom — magenta flowers on silvery stems among potted plants Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weeping Cover of sketchbook 42: olive-green board embossed with a crackle pattern, a strip of yellowed cloth tape along the stitched spine and a bent wire clip at top Sketchbook 43 dedication, Ghent, 18 March 2012: a night-blue gouache of star wheels over rooftops, facing Lucretius's invocation to life-stirring Venus copied in red-brown ink Cover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.' Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze Illustrated chart of ten knots with handwritten labels: overhand, figure-8, reef, sheet bend, carrick bend, bowline, clove hitch, timber hitch, taut-line hitch, sheepshank Academic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalk The Bauhaus curriculum wheel: VORLEHRE around the rim, rings of Stein Holz Metall Ton Glas Farbe Gewebe, and BAU at the core Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind Live Click Test3 The same vessel after growing supports: branching oak-coloured struts descend from the rim and from the base ring, merging into a few thicker legs that meet the build plate. Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Sformo-Analysis Sketchbook 48 spread: pink-pencil dancer with raised arm over notes on the Musée Carnavalet — 'Paris explained by Parisians, collected by a madman' — and the Musée Cognacq-Jay's Boucher pastels Sketchbook drawing of a seagull in pencil and crayon, grey wings and orange beak, red legs, faint clouds sketched above The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge QR code for the ProjectProject work The Mystery Photoshop layer tabs named: henna, blood, blood splatter, blood — working on Faustina Tiny dark graphic of a small white puff of cloud or smoke floating in blackness Look-and-feel test for MinoRinth: a photogrammetry point-cloud of Theseus fighting the Minotaur seen from below against blue sky, crossed by pink laser lines White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right Ruby's head front-on: red bowl-cut wig over black eye-mask shadow, mouth open, black choker, on deep blue Animation frames from Eraserhead: the pale-cheeked Lady in the Radiator standing with clasped hands on her small lit stage between dark curtains Spolia-Gizmo-Size

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