gallery

1504 pieces, shuffled — reshuffle

Still from Tarkovsky's Stalker: the Stalker's daughter in a gold headscarf rests her head beside two glasses on a stone table lit by a window Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border The Living Line in wobbly hand-drawn lettering above a screenshot of Droom-Zacht v1.0, 'drawing tools for sleepy people', its canvas filled with dense brown scribble 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing Coverage falloff at five Softness settings on a 40mm brush John Cage graphic score: fragments of notated staves coiling in a great spiral across the page Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Sketchbook 44: graphite copy after Velázquez — a short-haired boy with a white collar glancing over his shoulder, a hand below him raising a small glass Freedom of Teach male écorché reference figure in grey resin: front, side, and back views of the full flayed musculature Velázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in hand Close detail of a Van Gogh flower still life: asters and chrysanthemums in pink, ochre, and red built up in thick ridged impasto strokes Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foreground The fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue cloth A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge Black-and-white snapshot printed upside down: a figure in a striped top stands on a lawn before shrubs, inverted like the tarot Hanged Man Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view The Diadoumenos from Delos, ca. 100 BC, National Archaeological Museum Athens inv. 1826. A knotty tree trunk stands beside the left leg, hung with the youth's mantle and a quiver, almost detached from the body. Photograph by Francesco Bini, CC BY-SA 4.0 via Wikimedia Commons. ZBrush sculpt of a stylized animal skull mask, yellow-green over white with red striped horns and black flame markings Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna' Album cover of Puccini's Turandot with Maria Callas in a jeweled headdress; Schwarzkopf, Fernandi, and the La Scala forces under Tullio Serafin Photo-viewer collage of four self-portraits documenting dreadlocks: from behind, piled up close, topless holding the camera, and in profile Two views of a glazed ceramic tile of a fawn: propped against an antique balance scale on a shelf, and held close-up in a hand Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Three tiny black bird silhouettes flying across a long white banner The Endless Forest deer with a glowing white skull face and huge branching red antlers like coral fins, standing in fog Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Charles-Auguste Mengin's Sappho: the poet in black veils bare-chested on a sea cliff at dusk, lyre at her hip, eyes downcast Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful Studio wall: a charcoal torso study clipped to a board beside a whitewashed wall hung with USB cables, a mirror below reflecting an outstretched hand BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love Sformo-Bands Journal spread filled edge to edge with handwritten lists of symptoms and side effects: cramps, dizziness, numbness, hallucinations, page after page in black ink Three-part 3d modeling progress: dark doll face with white eyes, a head exploding in cyan normals-hair, and a wireframed face close-up Double exposure in reds and blues: a sleeping dark face overlaid with a lit clock tower and a night street's lights Three chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outline A dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staff Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Three stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlers Sketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014 Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled Sketchbook 45 opening: a grisaille gouache self-portrait, eyes glancing sideways under a dark fringe, facing a black brushstroke and the inscription '45, Mars Black, 13 Nov 2012' Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlamp Church marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop'

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