gallery

1479 pieces, shuffled — reshuffle

Two photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtains Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Photograph of stars scattered above a glowing green horizon band, a bright flare burning at the left edge Wall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15 Scanned book page on the twelvefold chain of dependent origination from Udana I: ignorance conditioning all links through old age, death, and suffering Sketchbook 48 spread, first day drawing in the Louvre: boxy graphite block-in of a seated nude, ink brush sketches, and the assignment 'Draw all the River Gods!' Pelt style in miele: hides thrown over the neck struts falling in folds, draped legs below with bare feet emerging under the scalloped hem. Sketchbook 40 spread: bare trees brushed in black ink before a lake, pink clouds scribbled in the sky, a carved trunk with a hollow at right Family posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky above Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Detail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at right Diagram of the Hebrew letter aleph in thick black calligraphy, its strokes numbered 1 through 10 with pointer lines Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light Grid of fifteen video frames shot along a highway: billboards reading Available, poles and power lines under a hand-tinted pastel sky Near-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001') Sketchbook spread in ballpoint: gothic spires and hanging chandelier-like forms of Riverside Church, drawn dense and scratchy across both pages Cover of sketchbook 32, dark side: black cloth crossed by red elastic cords hooked through the corners of a QRS player-piano-roll label Sideways photo in the Pisa Baptistery: the bronze Saint John the Baptist raising a cross-tipped staff atop the font's spired Gothic canopy Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair QuickTime window playing Parajanov's Shadows of Our Forgotten Ancestors (winter birches) over an engraved anatomical plate of dissected legs Sketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangle Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below The print studio bench against pink walls: a crowd of small sculptures — printed heads in a dozen materials, black falling figures, gold twins, glass jars — with an iPad, a pencil study, and a sticky note pricing it all at ONE MILLION EURO Vatican City, Vatican City — The Borgo Angelico held her in its greenish gray — that muted tone of weathered plaster, the ground itself. Journal spread dated Friday 22 October 1993: a purple-sweatered figure with a scribbled dark face, and a lightbulb sketch holding two tiny figures