gallery

1479 pieces, shuffled — reshuffle

Sketchbook 6 page: cipher key mapping invented circle-glyphs to English syllables — tha, the, thi, and, am, is, are, was, be, being, been, -ed, -ly Tarot app spread on a wood table: The Hermit, King of Cups, Page of Wands reversed, Ace of Pentacles, The Devil below; to the right The World, The Empress and Hierophant reversed Janine Antoni's Lick and Lather: two self-portrait busts side by side, one licked-down chocolate, one washed-away white soap, on classical pedestals La Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky above Contact sheet of eleven webcam video stills, timestamped: a man and a woman on a green sofa in take after take — interview recording Ana Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bands Belgian identity card in a black wallet — the new Belgian ID — and below, freshly twisted hair seen from above Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Year Zero at bitforms: the ziggurat of sculptures in the dark blue room, the projected mandala now burning orange and gold around a small blue rosette Cover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edge ZBrush fragment for the Magdalene: a single bent arm rising from the elbow, its hand gripping a skull whose jaw dissolves into the fingers Sketchbook 38 fold-out: aquarium jellyfish in sepia and violet wash pulsing across two panels, beside a dark rooftop against a pink dusk Mac desktop tiled with video-chat screenshots — a classroom of students on the far end, the two callers picture-in-picture in each window Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Second woodblock page of the ʼPhags-pa primer: tall columns of angular square-script letters, each glossed with small Chinese characters The Graveyard, wide crop: the old woman with her cane passing the chapel bench, urn-topped monuments pale behind her Two photographs of a Commodore VIC-20 blank programming cassette: the white tape labeled Side 2 above its silver-striped cardboard sleeve Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow Velázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del Prado Inside the basilica of Fourvière in Lyon: blue-and-gold mosaic vaults, angel-topped columns, a glittering cylindrical chandelier against tall stained glass Blender wireframe view of a cluster of bare trees for The Endless Forest, black lines on grey Textured 3d crow standing on flat chroma green, beak open mid-caw John Cage graphic score: fragments of notated staves coiling in a great spiral across the page Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Sunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cord Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Sketchbook 48 spread: figures reduced to stacked boxes ('a lot of talk about magic'), facing a blocked-in standing nude with red construction lines and notes on EROS, thrust and 'the boxes are a placeholder for the space the body takes'