gallery

1479 pieces, shuffled — reshuffle

Five penitent Magdalene paintings side by side, including Georges de La Tour's candlelit versions, each with long hair, a skull, and upturned eyes Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shoulders Sliver of a 3d viewport, three heads at the bottom edge, filename shouting: thatswhatyougetwhenyoumisusewhatiinventyourempirefallsandyouloseeverycent.png Browser play-through of Scott Adams's text adventure The Count: green terminal text in a flower box outside an open window, tying sheets and eating daisies Sketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legends Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking up Photograph of stars scattered above a glowing green horizon band, a bright flare burning at the left edge Booklet page for The Books' It Never Changes to Stop: the sampled schoolteacher's monologue — 'Sit up straight and be quiet... absolutely still, every eye closed' — set as a poem Tycho Brahe's geoheliocentric diagram: the Moon circles the central Earth while the planets and a comet circle the Sun, in a period engraving Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white Animation frames from Eraserhead: the pale-cheeked Lady in the Radiator standing with clasped hands on her small lit stage between dark curtains Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' Journal spread, Oct 1993: a collaged botanical print of roses beside a dream account, and cursive on grey-blue: 'In my life the furniture eats me...' Pelt style in miele: hides thrown over the neck struts falling in folds, draped legs below with bare feet emerging under the scalloped hem. Sketchbook 6 page dated 19 June 1990: worldbuilding notes for 'The SPARE Corp.' — psycho-technics, pneumatics, servomechanics, the Fates as Atropos/Clotho/Lachesis — 'Think about the future' John Cage graphic score: fragments of notated staves coiling in a great spiral across the page Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Voyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visible French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right John Singer Sargent's Ellen Terry as Lady Macbeth: the actress in a green beetle-wing gown raising the gold crown over her own head with both arms Bleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pockets Ross Bleckner's Invisible Heaven: a vast curved lattice of scratched blue-white diamonds receding to a vanishing point high above, like a domed net of lights Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Sketchbook 39, digital painting: a headless pair of legs and buttocks in flesh tones striding out of a deep violet ground Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' Sketchbook 48 spread dated Dec 12 at the Petit Palais: graphite nude after Jordaens's wife from behind, notes on 'Jordaens et le réalisme flamand', Carpeaux's Three Graces and Daumier