gallery

1479 pieces, shuffled — reshuffle

Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Sketchbook 35 diary spread: close-up of a dalmatian-spotted jacket and a zigzag-lipped fish face with a button eye, opposite a loose contour figure climbing The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ring Sketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles above Michelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawing Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure 3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material ID The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Timothy Stotz's chart The Flowering Staircase, 1435–1935: five centuries of master-apprentice lineages from Michelangelo and Raphael down to Matisse and Ted Seth Jacobs Church marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop' Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snake Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific A gilded baroque sculptural composition featuring a human skull at its center, flanked by two golden cherub figures and ornate architectural elements including scrolled moldings, set against a black background. The work exemplifies memento mori imagery, combining precious metalwork with skeletal symbolism in an elaborate three-dimensional arrangement. It is also the icon of my MacBookPro. Comic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needs Sketchbook 42 closing spread: crayon figure studies — a standing figure in hot pink, yellow and green with rainbow scribbles beside it, and a fainter second figure dissolving into color bars Hugo van der Goes's The Fall of Man: Adam and Eve stand naked by the fruit tree while the serpent, a lizard with a woman's head, watches Eve reach for an apple Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Roman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawing Sketchbook 43 spread: pencil lilies in a glass jar — 'Nature is organized. It's like all my life I've been worshipping the wrong goddess' — facing faint studies of hands and feet Path character sheet '3_Ginger': five polaroids of the redhead tomboy at different ages, hooded child to lanky teen Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Front view of the small bronze Magdalene in raking sunlight, the skull nested in her hair above her folded arms and crossed legs Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Sketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a banana Three views of a small polished bronze by Auriea: a crouching Magdalene-like figure with long hair pressing a hand to her head, a skull emerging behind her shoulders Cover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.' Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Sformo-Numbers Sketchbook pencil drawing of an embrace: her hands buried in his hair as he leans into her shoulder, faces hidden Standing hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in Rome Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two Moors The fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue cloth Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVE Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it Page 125 of Gene Wolfe's Soldier of the Mist: at an opened grave a dead woman speaks as an oracle, questioned about a wolf whose name was Man Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlamp Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' Blender simulation of a striped exhibition table: a grey torso on a ziggurat plinth, blue and orange cyclops heads, an orange-gloved fragment, and scattered skulls Handwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three times A thin strip of printed text reading The labours I endured were Back cover of Huysmans' Against Nature (Oxford, tr. Mauldon): 'It will be the biggest fiasco of the year — but I don't care a damn!' Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Black-and-white photograph of two visitors silhouetted before a museum diorama of New Amsterdam: Lenape men with clubs face Dutch colonists by a windmill and stone house

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