gallery

1458 pieces, shuffled — reshuffle

Sformo-Bands Photo-viewer collage of four self-portraits documenting dreadlocks: from behind, piled up close, topless holding the camera, and in profile Scanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellow Five Mary Magdalenes with ointment jars side by side: a Flemish Renaissance portrait, a Northern engraving, Caravaggio's penitent Magdalene, a tearful nude leaning on a gold jar, and a hooded mourner in a landscape Two blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shyly Sketchbook spread: pencil study of a shaggy black-and-white wolf standing guard, a red-hooded shape and a small drawn hand on the facing page Sketchbook 44, 'Summer, Jun 27': iris and leaves in vivid colored pencil growing past a shaded skull, journal notes on color and the Book of 8 project, over a printed Feu et Flamme page describing Parc Monceau Sketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushion Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Rogier van der Weyden's Beaune Last Judgment, centre panel: the archangel Michael in white weighs two small souls while red angels sound trumpets The Metope Atelier interface: the glyph spine at the left, the Tools tablet pinned open with all twenty shape tools and the brush controls, the Material tablet at the right, and a relief in progress in the viewport. Sketchbook 42b: charcoal study from the cast or original of a standing classical nude — torso and legs of an Apollo, drapery falling behind the extended arm Sketchbook 48 spread dated Dec 12 at the Petit Palais: graphite nude after Jordaens's wife from behind, notes on 'Jordaens et le réalisme flamand', Carpeaux's Three Graces and Daumier French test 'Het Perspectief' marked 18.5/30 in red — conjugations corrected, self-introduction paragraph: 'Je m'appelle Auriea Harvey, j'ai 38 ans…' A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Six subdivision levels of the Object 01 head in ZBrush, from blocky low-poly cage to a smooth detailed face, arranged left to right Lecture slide: three Bernini images — the Fountain of the Four Rivers figure sketch, an oval chapel plan, and Sant'Andrea al Quirinale's facade overlaid with proportion lines Roma sketchbook: pencil sketch of a roped-off monument, and in purple and brown, a Bernini angel reaching toward a draped reclining figure Book spread of Kafka's short prose piece The Sudden Walk, its single long sentence about abruptly leaving the house at night filling the left page The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti Tiny low-poly skull render, warm bone tones on black — game skull sprite Page titled Pi is Irrational: Niven's short proof set in white mathematical type on black, from the defined polynomial to the concluding contradiction Cover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World' Abramović and Ulay, Pietà: he lies white-clothed across her lap over a spill of red cloth as she looks upward Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right Quest3D diagram headed Anatomy of a Nature Painter: a node tree from Start3DScene down to pine-tree surfaces, with textures, materials, and object data circled MinoRinth screenshot: a dark glassy figure stands on a yellow wireframe mound, the horned shadow of the Minotaur cast huge on the red wall behind Playlist mixing Stanley Lieber's GOKU tracks with Nine Inch Nails Ghosts I–IV and FLAMES.GIF songs Sketchbook 22B open on a road case: a Chinese wedding chair clipping ringed by red imps, and on silver foil a mummy-like figure trailing long roots — 'I am big + the pictures that got smaller' The Graveyard, wide crop: the old woman with her cane passing the chapel bench, urn-topped monuments pale behind her The fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue cloth Sketchbook 49 spread: three charcoal-grey figure studies — a heavy nude bending with hands on knee, a striding draped figure with sword strap, and a fainter climbing figure Sketchbook 33 spread: magnolia branches in contour line budding through a rust-red wash with pale purple blossoms, dark ink branches breaking in at lower left Mirrored webcam self-portrait: face doubled down the center line, drinking from a glass, dreadlocks framing both halves Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down Typeset haiku numbered III: 'Long cold fingers dipped in blue roses — pry open the red world.' Sketchbook 33 spread, Teotihuacan Mexico 2007: a shaggy pepper tree in black ink over a shaded path, and at right cactus paddles drawn in wandering line Sketchbook spread drawn from a hospital bed: flowers in a water glass by the curtain, the IV stand, and the cannulated hand with one line touched in pink Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Live Click Test3 Sketchbook 42, page 66: watercolor and pencil of a sleeper's face resting on a yellow-washed arm, the head faint graphite, the raised forearm a wedge of gold Sketchbook 44 spread, IndieCade: blue ballpoint portraits of Anna Anthropy speaking, Dan Pinchbeck in an Amnesia t-shirt, and Natalie Pozzi in profile Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insects Sketchbook drawing of a seagull in pencil and crayon, grey wings and orange beak, red legs, faint clouds sketched above Cyan skeleton rig glowing over a barely-visible figure lying in a dark bed — animation bones for a sleeper Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown' Sketchbook 48 spread: notes on the paragone and the Carracci academy beside a large soft-pencil study after Guido Reni — a bearded face in profile with a pointing hand — 'looking at a photo I only see the camera' Michelangelo's Madonna of Bruges in her dark marble altar niche at the Church of Our Lady, flanked by saints, candles, roses and pink blossom branches Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be

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