gallery

1504 pieces, shuffled — reshuffle

Smooth grey profile of the same girl's head, lips parted slightly, ponytail falling behind the ear Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition Soft grayscale painting of a white rabbit at rest with ears raised, glazed like porcelain against a white ground Sketchbook 42, page 24: pencil still life — a canning jar and a stack of magazines topped by a Glamour 'New Year's Special' issue with three laughing faces on the cover An NEC monitor displaying a grey 3D sphere studded all over with fragments of buildings and figures, like a small ruined planet Mail.app junk-mail window, addresses blacked out: subject To Bertram, these things shall be; body reading Suffer under this complaint we Sketchbook 43: the June 2012 transit of Venus painted as an ochre-gold sun disc with the planet a small dark dot near its lower edge Rogier van der Weyden's Beaune Last Judgment, centre panel: the archangel Michael in white weighs two small souls while red angels sound trumpets Sketchbook 57 page at the Musei Capitolini: charcoal study after Caravaggio's St John the Baptist embracing the ram, with notes on getting authorized to draw after 6:30 The print studio bench against pink walls: a crowd of small sculptures — printed heads in a dozen materials, black falling figures, gold twins, glass jars — with an iPad, a pencil study, and a sticky note pricing it all at ONE MILLION EURO Cover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at center Handwritten shorthand alphabet on dotted paper, a to z over their stroke signs, with the quick brown fox pangram written out in shorthand below John William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floor Video lecture paused at 14:54 — 'The Nature of Arguments', Critical Reasoning for Beginners, a lecturer beside a slide at the University of Oxford podium Film still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's Mirror The octagonal baptismal font of the Pisa Baptistry seen from the gallery above, a small bronze figure at its center, set in rings of inlaid marble floor French test 'Het Perspectief' marked 18.5/30 in red — conjugations corrected, self-introduction paragraph: 'Je m'appelle Auriea Harvey, j'ai 38 ans…' Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Spolia-Style-Pelt Metope's Navigator tablet: the corner mini-map, the five view-mode buttons, and undo, redo and fit. A dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staff Sketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing tools Hands leafing through the Ray Caesar Art Collection monograph: the masked cover girl, a spider-legged theatre box, big-haired doll portraits, a drawing index page Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall Web clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25 Tiny animated screen-capture: an image-editing window with a small dark photograph inside, too small to read Mac desktop with a giant dark skull wallpaper, a small photo of a figure at a lectern set into its mouth like a tooth Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Plain web background graphic: a flat grey field rising on a shallow diagonal into white at the top Bronze sculpture of Dryope: a nude woman mid-stride with a serpent winding up her body from ankle to shoulder, one hand crossed over her breast Overexposed café scene through glass: children's party around a blue table with pink cups, an adult leaning over the middle, greenhouse shelves behind Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocks Two Belgian ballots, 7 June 2009: the mint-green European Parliament sheet and the Flemish Parliament list, red dots marked under GROEN! Wax-pale panel with two graphite dead birds drawn beside two black 3D-printed women curled in the same fallen pose Silver laptop running a 3D level editor with skull textures; below it the boxed retail edition of The Path and a black book stamped PR3 Sketchbook 49 spread: studies after Rembrandt's Man with the Golden Helmet at the Gemäldegalerie, and Géricault at Ghent's MSK — severed-head studies, phrenology marbles, and the 'head of a monomaniac' Journal page dated February 19: notes before Las Meninas at the Prado — 'surprised by brushwork, muddy and rough… the strokes being alive' — with two ink sketches Grid of nine Tale of Tales game stills: The Path, The Endless Forest, The Graveyard, Fatale, Vanitas, Bientôt l'été, Luxuria Superbia, and Sunset Double page from Hokusai's Manga: sketched vignettes of kneeling figures — a startled couple, a shamisen player, a monk, and a gossiping pair — with brush captions Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' A German Enigma cipher machine open in its wooden case: lamp board, keyboard, plugboard, and the instruction plate Zur Beachtung in the lid Live 3D scan of someone sprawled on the couch, rendered as white sculptural relief — 59fps, 1.93 million points and counting Tiny green-on-black terminal: 'Everything is Ok — Bonnie-2:~ Auriea$' Sketchbook 49 spread in wine-red pencil: sleeping subway riders, a heavy downcast face, and two men leaning close over something in their hands Vitrine close-up from Example #22: the horned white faun bust The Minories among heads — a weathered infant head, a tiny imp, a rose-crowned terracotta head on an alabaster stem Tiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chair Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it Torn scrap of paper, its lower edge charred: a finely drawn eye rains rows of blue teardrops, tiny handwriting threading through the lashes Bernini's chalk study personifying St Peter's: a standing figure whose outstretched arms become the colonnades embracing the piazza Etching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floor

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