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1497 pieces, shuffled — reshuffle

Pretty in Pink soundtrack in iTunes: OMD, Suzanne Vega, Psychedelic Furs, New Order, Echo & Bunnymen, The Smiths A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia Path character sheet '6_Scarlet': polaroids of the eldest sister, red-bunned and severe, painted portrait style, with a forest reference photo Sketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange opposite Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Blank transparent spacer gif from the old web Sketchbook 32: pencil studies of heads — a downcast woman at left, and a large anguished bearded face, eyes closed, drawn dark and dense Torn scrap covered in handwritten 'yes yes yes' around a Tale of Tales Endless Forest calling card and a blue A PRIOR airmail sticker Close detail of a Van Gogh flower still life: asters and chrysanthemums in pink, ochre, and red built up in thick ridged impasto strokes Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna' Broken 3d export: a pink low-poly suited figure with an enormous black cylinder skewered diagonally through its head to the floor Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' Roma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.' Six stacked frames from Strange Days: the 11:59 millennium countdown, balloons and confetti over the crowd, and Angela Bassett with braids inside a car Unity editor: camera and sound gizmos hovering over a ground plane textured with a black-and-white cloud sky Live 3D scan of someone sprawled on the couch, rendered as white sculptural relief — 59fps, 1.93 million points and counting Faded 1970s snapshot of two small girls in white Easter dresses and hair ribbons on a sunny sidewalk, a black-and-white photo of daisies tucked into the corner A woman wearing the exoskeletal Gypsy motion-capture suit, black straps and sensors down her limbs, cables trailing across the floor toward a mirror Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose Sketchbook spread: at left a black ballpoint doll-like head with a red mouth on a stalk; at right, red ballpoint legs in heels reclining from the page corner The Graveyard: the old woman leaning on her cane at a fork in the white path, tombs and dark trees pressing in, black and white Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters Sketchbook 38 spread, Oudenaarde: a face rising behind watercolor foliage, gothic church windows, and a pencil driver seen in a car's wing mirror Coverage falloff at five Softness settings on a 40mm brush Sketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figures Tintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spotted Björk in profile for Medúlla, her dark hair braided into an elaborate crown that arcs off her head and veils her face — photo Inez & Vinoodh Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled Sketchbook 41 spread: charcoal studies of noses and lips, a seated figure, perspective primitives, a red-draped column, and a blue gouache nude marked 'after Carracci' A Fables comic read on a Nintendo DS: cover with boxing-glove title on top screen, then two-page spreads across both screens Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point Sketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurements Back cover of Huysmans' Against Nature (Oxford, tr. Mauldon): 'It will be the biggest fiasco of the year — but I don't care a damn!' The original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in front A bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showing Night desk: an iBook showing a dark forest painting, in front of a big monitor with Blender open on a textured cube — Endless Forest work in progress Joseph Beuys's Eurasia Siberian Symphony 1963 in three photos: taxidermy hare on poles against the chalk-drawn panel, plus the museum label Sketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream' Metope's Scaffold tablet: symmetry axes, the six grid kinds with snap, the draw-shape modes, and the guide tools (ruler, compass, curve, poly, magnet). Netscape screenshot of LOVE by Group Z, Belgium — early net art by Michaël Samyn: the word LOVE spelled in daisies inside gold and floral frames, hosted in Rhizome's anthology Sketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at right Four stills: a figure writing at a bright window table, a white silk sail over a dark landscape, a woman by a pond, and a tornado funnel at night Stygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blur New Year selfie from below in the Louvre's gilded galleries, painted ceiling of gods and putti overhead, chin high Codex Seraphinianus illustration: a potted deer head whose antlers are a leafing tree, roots filling the transparent pot Abramović and Ulay, Rest Energy: she holds the bow, he holds the drawn arrow pointed at her heart, both leaning back Master copy in progress of Waterhouse's Circe Offering the Cup to Ulysses — Circe enthroned before the round mirror, cup and wand raised

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