gallery

1458 pieces, shuffled — reshuffle

Three stems of yellow loosestrife (wederik) with whorled yellow flowers against a peeling white wall, beside a metal drainpipe Two photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtains Night desk: Wacom tablet showing a painting in progress of a girl in a forest clearing, laptop with the reference scene, headphones and the watercolor tin nearby John Collier's Clytemnestra (1882): the queen stands grim in a doorway between bronze column and curtain, gripping a long-handled axe, blood at the threshold 1983 Atari ad headed They Laughed When I Sat Down at the Keyboard: a tuxedoed man triumphs at an Atari home computer while party guests gape Two graphite studies of the Louvre's Old Centaur teased by Cupid, seen from behind and from the front, the winged child perched on the centaur's back Sketchbook 46 spread: sanguine life studies — bent legs and a standing torso on the white page; on the orange page a sprawled male nude heightened with white chalk, legs splayed Dell paperback cover of Madeleine L'Engle's A Wrinkle in Time: a winged centaur rearing over dark mountains, a green face glowering in a crystal sphere Sketchbook 49 spread: a red-and-graphite banner-waving nude atop struggling fallen figures, facing a putto's face, a study of a nude's hip and thigh in pink, and a keychain shaped like an 8 New Year selfie from below in the Louvre's gilded galleries, painted ceiling of gods and putti overhead, chin high Live Click Test Church on sunday — The courtyard floor holds her attention. Audio editor screenshot: stereo waveform swelling to a dense block of sound just before the 1'00 mark Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' Collage 'Cautionary Tale': a watercolor figure with exposed bones walking on green ground, framed by torn handwriting and a small anatomical leg diagram Sitting alone on a gray-day beach in a black jacket, sketchbook on knees, drawing the waves as they come in Sketchbook 41 spread of figure-drawing sessions: pencil studies of a standing model bending forward above, quicker red ballpoint crouching and kneeling nudes below Mac folder named Work, 20 items on a dark green desktop: 1am.m4v, Flower/Lock, TEF, TheGraveyard, Fatale, The Path, Vanitas, Sirens, Room 101, Au Tarot and more Installation view of sculptures on a black-and-white striped platform in an OSB-lined room: a green curly-haired head, a white Venus figure, and a grey skull cluster Tiny animated gif of a figure rising from a small fire against black Black-and-white still of highway signs — Holman Correctional Facility 2, Fountain Correctional Facility 3 — a helicopter overhead, and a torrent of red lyric text running below Sketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the Louvre Blurry mirror selfie in an ochre bathroom, flower decals on the glass and a green L on the wall, camera in hand Giuseppe Maria Crespi's Hecuba Blinding Polymestor: the Trojan queen in torn white silk drives her thumbs into the bound king's eyes as he claws backward in the dark Collage for MinoRinth: two mirrored profiles of Auriea joined like a Janus head, each face half-hidden by a horned grey bull's head Frida Kahlo's The Wounded Deer: a small deer with Kahlo's face pierced by nine arrows, leaping through a corridor of tree trunks toward a stormy sea Three webcam frames trying on a black high-collared jacket in front of wood panelling, timestamped 2008-02-15 MinoRinth from above: green-edged concentric maze rings curving below brick towers, their walls stitched with dotted purple seams Black-and-white profile portrait of Louise Bourgeois in old age, eyes closed, holding up her long-fingered hand like a fan before her face Cover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 Aug Raw photogrammetry scan for The Flower Seller: a grey ragged-edged bust with a blurred face, an armful of thick-petaled blooms dissolving into scan debris Stygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blur Glitchy black-and-white webcam still: two ghostly figures side by side over a striped scanline pattern, timestamped 11.6.18.47.30 Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Grainy still of a small gold figure curled into a ring, floating mid-air against beige — falling gilded body Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearing Sketchbook 33 spread: magnolia branches in contour line budding through a rust-red wash with pale purple blossoms, dark ink branches breaking in at lower left Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' Black-and-white double exposure on 2nd Street: a blurred face streaked with motion in a mirror, plaster wall and shuttered window folding into shadow The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Diary line in blue ballpoint over the printed word APRIL: 'I wrote this in Darmstadt with a free pen. Michael has gone to the restroom. I'm drinking champagne.' Dark 3d bird hunkered in a shallow grass nest, one white eye catching light Painting of a huge grey wolf's head hanging upside down among pale birch trunks, jaws open, while a small child covers their face below Palma il Giovane's Jael and Sisera: bare-shouldered Jael kneels with hammer raised, driving the tent peg into the sleeping general's head Sketchbook 44 spread from a private model session: pencil crouching nudes at left; at right three heads on a grey gouache ground — a pink-cheeked profile facing a bald man, a shaved nape beyond A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branches Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook Auriea standing with a sunburst electric guitar in a dark room, one hand on the maple neck, a cigarette between the fingers of the other Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her

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