gallery

1479 pieces, shuffled — reshuffle

The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her Nick Cave's From Her to Eternity in iTunes, track 4 playing, the young Nick Cave cover at left E-reader glowing in the dark, thumb on the page: Anne Carson's dedication to Keats, '…FOR HIS GENERAL SURRENDER TO BEAUTY. A wound gives off its own light, surgeons say.' Belgian Senate ballot, 13 June 2010, pink paper listing 25 senators by party column; a hand with a pencil hovers over Groen! Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin Early game avatar: a low-poly nude brown-skinned woman with black bobbed hair, arms at her sides, texture seams still showing, on a purple base Sketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream' Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Glitched Netscape window on entropy8.com: a black-and-white close-up of a woman's face shredded by horizontal bands of corruption Cluttered Mac desktop: Firefox on a LiveJournal page with a Sinfest comic, over dark Godlove Museum imagery in the background Panorama on the Gravensteen bridge in Ghent, unimpressed face in the foreground, the castle and canal curving behind, tourists at the rail Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Sketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.' Sketchbook 43 spread: pencil lilies in a glass jar — 'Nature is organized. It's like all my life I've been worshipping the wrong goddess' — facing faint studies of hands and feet SPOLIA-Manipulator Sketchbook 48 spread: ballpoint portrait of a bald speaker and a colored-pencil portrait in mint-green shirt, with notes on the aesthetics of play coming from action, not objects — 'don't let a day go by' Sitting small in red under a magnolia in full bloom at the pond's edge, drawing among the fallen petals Glitchy black-and-white webcam still: two ghostly figures side by side over a striped scanline pattern, timestamped 11.6.18.47.30 Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose Sketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise' Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Two round-mirror selfies trying on a sheer cream babydoll top with ragged hem over dark jeans, clothes rack behind Sketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at right Sketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edge Sketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched above Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane Two mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored room Two studio portraits fanned on a scanner: a grinning man in an NBA cap and Celtics jersey, and a baby girl in pink with beaded braids iChat window with Ben Coopersmith: pink and grey bubbles chanting 'make it real' / 'make the dream real', ending with quitting smoking on my birthday Sketchbook 50 spread on grey paper: graphite-and-white studies of a kitten asleep on its back, paws curled, with separate sketches of its ears and toe pads Bleached scan of page 45 of Borges's The Garden of Forking Paths: everything happens to a man precisely now, and the narrator inventories his pockets Smooth grey 3d male body in A-pose, faceless, feet on the green ground line A photograph of a printed page with cream-colored paper displaying four centered lines of black text in a simple serif typeface. The text reads: "For the blind man / in the dark room / looking for the black cat / that isn't there." 19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text above Two photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overhead Dancing drawing in black ink: splattered vertical strokes and a long arc of dots crossing over a broad smeared wash near the bottom of the sheet Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Notebook page 'The ultimate FINAL to do list' with nearly every line struck through in red, 'DONE!' scrawled at top Black-and-white breakfast still life: Special K 'Bikini Challenge' box, Tropicana, milk, an empty bowl and a GEE games magazine Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful Metope's Tools tablet: a grid of twenty shape tools (Pad, Coil, Stylus, Knife, Rake, Rib, Smooth, Smear, Pinch, Inflate, Scrape, Move, Crease, Chatter, Gnomon, Moulding, Drill, Extrude, Imprint, Stamp), the Relax Mesh and Rebuild Mesh buttons, and the brush sliders below. Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple Inside cover of sketchbook 20: collaged Muybridge-like figures carrying trays across the bottom, a golden crest reading 'PSYCHE STORY' held up at right, rusty reds above Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor

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