gallery

1479 pieces, shuffled — reshuffle

Dark game screenshot: the black silhouette of a ghostly figure trailing streaks of shadow lunges down a grimy corridor Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled Split screen: a folder of vanitas skull paintings beside a YouTube documentary about painter Fuyuko Matsui, a woman in kimono seen from behind Inside back cover of sketchbook 38: a sun-bleached Polaroid self-portrait among bare branches, hair falling over the face, taped beside a German page on 18th-century literature Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns Colored-pencil drawing on gray paper: a dead tulip, petals collapsed like drapery over a ghost of yellow Sketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges' Yellowed spread from Rodin's L'Art in French: passages declaring art dead to modern utility, and art as contemplation, the joy of intelligence seeing clearly Academic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalk Sketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the Louvre Sketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things' Solid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raised A magenta-lit gallery room, empty except for a black doorway cut into the glowing pink wall Sketchbook 49 endpapers: ex libris page with a photo of an Egyptian harpist relief at the Met and three blue Met admission tags (Feb 16–18), facing studies after Rubens nudes — Ghent, Paris, Dec 2013–June 2014 Family posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky above RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed The studio worktable in 2017: a bronze head resting in a stone dish, a white David figurine, dark wax figures, a porcelain Venus on a box, and a teacup of tools Roma sketchbook: ballpoint sketch of Bernini's Cathedra Petri in St Peter's — the dove window radiating over the bronze throne and four doctors of the church — '147 popes' Contact sheet of eleven webcam video stills, timestamped: a man and a woman on a green sofa in take after take — interview recording Screenshot of the classic Mac OS X Colors picker panel showing a web-safe palette grid, with hex value #0099ff entered and a bright blue swatch above Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb Film still of the Queen of the Night: a crowned soprano with a crescent-moon staff rises from painted clouds inside a swirling tunnel of stars Tiny blurry webcam frame of Shari in a white shirt, head bowed over a desk in daylight Vija Celmins night sky: white stars of varying sizes scattered dense across a black field The grown support forest in trunk style, oak: barked struts holding the vessel's rim like a pergola, gnarled legs flaring into the plate below. Finder list of a dozen folders all named Objects, one highlighted magenta OBJECTS from 22 décembre 2008 Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ring EarthBound ('The War Against Giygas!') running in an SNES emulator on a Nintendo DS, menu on the lower screen Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful METOPE paint and glaze figure John Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clef Sketchbook spread: at left a black ballpoint doll-like head with a red mouth on a stalk; at right, red ballpoint legs in heels reclining from the page corner Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below The Archive to Come at Telematic gallery: a dark room where a projection of two golden particle faces hovers on blue between bright screens on the walls Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down Sketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paint John Collier's Clytemnestra (1882): the queen stands grim in a doorway between bronze column and curtain, gripping a long-handled axe, blood at the threshold Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Sketchbook 42, page 24: pencil still life — a canning jar and a stack of magazines topped by a Glamour 'New Year's Special' issue with three laughing faces on the cover Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Atta Kim's long-exposure Making Love: two bodies dissolved into a single yellow-green cloud of light on darkness Sketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glasses ZBrush sculpt for a leviathan: massive clay-toned monster haunches with a beaked growth, ridged scar rows across the belly, and curved tusks jutting from one hip Night photo of Kit Halsted, cigarette in mouth, leaning on a loaded Triumph motorcycle at a Manhattan curb, lit billboards down the street Scanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black ground Page 12 of Hiroshima Mon Amour: in the café she tells why she went mad in Nevers — her head shaved in 1944 for loving a German soldier — every mention of Nevers highlighted

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