gallery

1458 pieces, shuffled — reshuffle

Plain dark charcoal-grey square swatch Sketchbook 47 spread at Vienna's Kunsthistorisches Museum: sketches after Titian's Danae and a baroque portrait head, with notes on the Kunstkammer bezoar, Bruegel the Elder, and Vermeer's 'The Art of Painting' Album cover of Bama the Village Poet's Ghettos of the Mind: a bald head in profile whose brain is a collage of sepia photographs Julian Wasser's 1963 photograph of Marcel Duchamp playing chess with a nude Eve Babitz beneath The Large Glass at the Pasadena Art Museum Smooth grey 3d male body in A-pose, faceless, feet on the green ground line Sketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurements Back cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at left Astrodienst natal chart for Michaël: Cancer sun, Virgo ascendant, blue and green aspect lines crossing the pale wheel Inside cover of sketchbook 20: collaged Muybridge-like figures carrying trays across the bottom, a golden crest reading 'PSYCHE STORY' held up at right, rusty reds above Three murky frames from Silent Hill 4: a grainy monochrome ceiling, a huge fist against a lit corridor, and a row of apartment windows over a courtyard Dutch growth chart of pale blue body silhouettes from two-month foetus to 25-year-old adult, heads aligned along red horizontal lines Till We Have Faces, pages 292 and 293: Orual chews the strange bread of the gods, declares herself Ungit, and despairs that no man will love an ill-favoured woman Cover of sketchbook 32, dark side: black cloth crossed by red elastic cords hooked through the corners of a QRS player-piano-roll label Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Browser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a Cyclops Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars Corner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheets Close-up in the Magdalene case: black acrylite and polished bronze Magdalene figurines clutching skulls before a tablet, above a notebook page of questions written in the saint's cave Sketchbook 49 endpapers: ex libris page with a photo of an Egyptian harpist relief at the Met and three blue Met admission tags (Feb 16–18), facing studies after Rubens nudes — Ghent, Paris, Dec 2013–June 2014 Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shoulders Black-and-white photograph of a Tibetan cham dancer in an antlered deer mask and heavy brocade robes, arms spread outside a monastery door Book plate of Géricault's Left Hand, 1823: the artist's own hand drawn in black, red and yellow chalk, splayed and shadowed as if cast off, now in the Louvre Odd Nerdrum's painting The Singer: close-up of a hooded figure with head thrown back, mouth wide open in song against a mustard ground French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink The Voyager Golden Record: etched playback instructions, a pulsar map, and the hydrogen atom diagram on the gold-plated disc Sketchbook 43 dedication, Ghent, 18 March 2012: a night-blue gouache of star wheels over rooftops, facing Lucretius's invocation to life-stirring Venus copied in red-brown ink Sketchbook 42 spread: ballpoint profile studies — a face with pursed lips filling the left page, overlapping fragments of eyes, noses, lips and small hands on the right Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Sketchbook 42, page 88: ballpoint domestic still life — a stereo tower and tissue box on a table, a game controller resting on a bed, snacks and a glass on a striped cloth Academic pencil life drawing on cream paper: a nude woman with pinned-up hair seated with legs crossed, gazing off to the left, highlights in white chalk Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Self-portrait as a point cloud: a figure with dreadlocks floats dismembered inside a white wireframe cube on an endless blue grid Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows Sketchbook 46 spread: flowers in black ballpoint on the tan page — an open peony, a bud, a dark rose — continuing onto blue-white paper as chrysanthemums tinted violet, orange and a pink rose in colored pencil Sketchbook 42 spread: ballpoint figures on tan paper — a dark-haired woman embracing a bald figure from behind at left, faces and a clasped arm layered over blue washes at right Hand-tinted Meiji-era photograph of two women and an older man gathered around a game of Go on a low board, tea things beside them Smooth white 3d sculpture render on black: two abstracted nude figures curled into a ring, one body flowing into the other Velázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in hand Photocopied menu of Pizzeria Prima Donna: thirty-four numbered pizzas from Margherita at 3.75 euro to Fantaseer zelf, with a Leaning Tower logo Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Raphael's self-portrait from the Uffizi: the young painter in black cap and robe glancing over his shoulder, in a gold frame inlaid with knotwork panels Torn scrap covered in handwritten 'yes yes yes' around a Tale of Tales Endless Forest calling card and a blue A PRIOR airmail sticker Protective styles: hands parting and braiding a seated girl's hair, her eyes patient and downcast, a mug and dark shelf behind A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableau

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