gallery

1458 pieces, shuffled — reshuffle

Three views of the Object 01 head 3D-printed in blue wax beside a ruler, about five centimeters long, seen in profile, from above, and three-quarter Sketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figures Vija Celmins night sky: white stars of varying sizes scattered dense across a black field Dark digital drawing: a doll-like face buried in a storm of scribbled black hair over mottled green and magenta Odd Nerdrum painting: close-up of a hooded figure with head tipped back and mouth wide open, painted in warm ochres against a pale ground Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip New York Times clipping from 1883 recounting Ingres confronting Delacroix at dinner — 'Drawing, Sir, drawing is honesty! Drawing, Sir, drawing is honor!' — spilling his coffee in his fury Corner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheets Ingres's Odalisque in Grisaille: the Grande Odalisque reclining nude among grey silks, painted entirely in tones of grey, looking back over her shoulder Max/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~ Sketchbook 46 spread: life-drawing session painted over a violet watercolor ground — standing, bending and cross-legged nudes reserved in white, one small figure in full dark wash iTunes 'Enter Code' screen refusing a gift card: 'This code is only valid for customers of the United States store' Background tile of thin gold threads wandering and crossing over a white field Evening primrose (teunisbloem) seen from above at night, two pale yellow flowers on a rosette of narrow leaves, photographer's shoes visible below Sketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour lines Sketchbook 42, page 24: pencil still life — a canning jar and a stack of magazines topped by a Glamour 'New Year's Special' issue with three laughing faces on the cover Sketchbook 41 spread: a wall of ballpoint portraits from a games conference in Montréal, labeled with names — Darren Wershler, Brian Greenspan, Jim Bizzocchi, Nick Montfort, Bernard Perron — and 'I cannot draw Thomas Grip' Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Sketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a flute Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons Sketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing tools Metope's floating thumb dock: a drag grip, the invert, brush-size and brush-height pebbles, and the gold palette disk. Roma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tomb Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Black-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble block Sketchbook 46 frontispiece on orange paper: A. E. Stallings's poem 'The Island of Skyros' copied out under a painted title, with a ballpoint still life in the corner — Ghent, NYC, Indianapolis, Belgrade, March–August 2013 Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground Sketchbook 47 spread at Vienna's Kunsthistorisches Museum: sketches after Titian's Danae and a baroque portrait head, with notes on the Kunstkammer bezoar, Bruegel the Elder, and Vermeer's 'The Art of Painting' Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche Smooth grey 3d male body in A-pose, faceless, feet on the green ground line Mirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dots Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagrams Michelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawing Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition Sketchbook 45 spread: graphite still life of a clementine with a dried curling leaf on its stem, and a separate leafy twig floating on the facing page Vija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on black Sketchbook 47: watercolor of Vesuvius smoking above a band of blue sea, with Ovid's Fasti IV quoted below — the prayer of Romulus for Rome, written within sight of Vesuvio, 2 Aug 2013 Comic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needs Sketchbook 48 spread: atelier maxims on block-in and contour — 'no straight lines in anything ever', 'limbs start turning before the joint' — facing a faint gesture sketch of a striding horse Sketchbook 49 spread in silverpoint-light graphite: a mustached man's face, a hand gripping a dark plum, a corked bottle, and a nude beside stacked studies of a bearded head and wing Sketchbook 35 diary spread in pencil: the studio television on its wheeled cart of consoles and decks, a book shelf, and a big plush flower against a cube Sitting small in red under a magnolia in full bloom at the pond's edge, drawing among the fallen petals Cover of sketchbook 32, light side: two panels of tan player-piano roll paper, the perforated note slots scattered like morse code, a red band between French TV weather map ('DEMAIN') covered in burning-car and riot icons instead of weather symbols — the 2005 riots as forecast Penguin cover of Ian Fleming's You Only Live Twice: a kneeling woman in an open kimono between a samurai helmet and orchids with skull-faced blooms Sketchbook 46 spread: notes on Viktor Shklovsky's 'Making Strange' and estrangement in art, a small self-portrait with twisted locs, and a nude holding dark lilies drawn in pencil and sanguine

1158 more ›