gallery

1479 pieces, shuffled — reshuffle

Girl with long blond hair sitting close to a TV, customizing a cartoon monkey's fur colors in a game menu Roma sketchbook: ballpoint sketch of Bernini's Cathedra Petri in St Peter's — the dove window radiating over the bronze throne and four doctors of the church — '147 popes' Thin gold threads wandering and crossing over a white field, like a tangle of dropped wire Sketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las Vegas Six panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.' Villa medici and the Black congress — She came to Viale della Trinità dei Monti at the hour when the stone begins to hold the day's heat like a secret. Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey ground The Darwin fish emblem: the Christian ichthys grown stubby legs, with DARWIN lettered inside its body and a small fish in its toothed mouth Wally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the rest Sketchbook drawing of heaven and hell: a bowed figure in black on brown earth, flames at their feet, while a distant figure exults under a cross and red sun Poster for In the Kingdom #19: layered blackletter cascading down black — works by Auriea Harvey, baykiddead and Alex Myers, December 13 at Project Project, 1818 Vinton Sketchbook 31 spread in pencil: a jet seen from above the clouds and a sleeping fellow passenger — 'Slept. Flying out of Charleroi...' Stage photo from Wim Vandekeybus's In Spite of Wishing and Wanting: bare-chested men in fuchsia skirts, one balancing in a deep arabesque, others crouched and turning Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border iChat window with Ben Coopersmith: pink and grey bubbles chanting 'make it real' / 'make the dream real', ending with quitting smoking on my birthday Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Wax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stem Black-and-white particle image: an eye-shaped void opening in a field of bright specks, with a 1 cm scale bar and timecode Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Tiny dark sketch of three standing figures side by side, scratched out of black ink Still from Islanders: colossal weathered faces dissolving into swarms of paper-like shards, drifting in blue sky above a hazy planetary horizon, the sun flaring through one eye A freshly pulled molar, roots and all, lying in an open palm; a gold ring on one finger Textured 3d crow standing on flat chroma green, beak open mid-caw Wall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15 Buckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single ocean Diptych: fingers parting hair to show a small cut on a scalp, beside a close-up of a pink peony — accidents happen Reference collage for the cyclops: elephant and Deinotherium skulls, a museum proboscidean skull whose nasal cavity suggests one eye, Polyphemus sculptures and skeleton photograms Snapshot of producer Kenji Kaido and director Fumito Ueda, creators of Ico and Shadow of the Colossus, standing side by side at an event Sketchbook 30 spread labeled 'Hecuba blinds Polymnestor': ink and wash studies of gravestones and crosses, numbered like a catalogue of monuments Black-and-white photograph of two visitors silhouetted before a museum diorama of New Amsterdam: Lenape men with clubs face Dutch colonists by a windmill and stone house Cover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 Sept Full master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre ground Journal spread: two red-ink figures joined at the torso holding tangled organs, opposite a dense two-column dialogue in silver and red ink over a faint photo Photoshop layer tabs named: henna, blood, blood splatter, blood — working on Faustina Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground Sketchbook drawing of a seagull in pencil and crayon, grey wings and orange beak, red legs, faint clouds sketched above Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down Freud's model of the mind as an iceberg: the conscious ego above the waterline, superego at the surface, and the vast unconscious id submerged below Installation photograph: red violins with their bows mounted swarming up white walls and across a tiled floor, like an infestation of insects Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' FlightView tracker map: flight DL5372 en route from Indianapolis to New York over a weather-radar map of the eastern US Sketchbook 49 spread on the Musée d'Orsay's 'Masculin/Masculin': notes on Guido Reni's Sebastian, the Barberini Faun, Ron Mueck and Mercié's David, with sketches of a lounging and seated male nudes Installation view of sculptures on a black-and-white striped platform in an OSB-lined room: a green curly-haired head, a white Venus figure, and a grey skull cluster Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor The grown supports with the overhang heatmap turned back on: almost no red remains, and the branches themselves show none, meaning the supports do not need supports of their own. Soft flatbed scan of a Pieris sprig, its white bell-shaped spring blossoms hanging in rows against grey-green Blurry snapshot of a high school graduation: graduates in white caps and gowns walking past a coral-pink wall, Lauren among them Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox

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