gallery

1479 pieces, shuffled — reshuffle

Design sheet of fifteen gravestone sketches on black with red annotations — 'taller + on angles', 'SHE CRIES', 'ERODE BREAK' — planning The Graveyard's tombs Sketchbook 32 spread from the Met's Asian galleries: pink brush sketches of Krishna battling the horse demon Keshi, notes on Durga and Shiva, and a seated Maitreya Bodhisattva face in ink Sketchbook 49 spread in wine-red pencil: sleeping subway riders, a heavy downcast face, and two men leaning close over something in their hands Paper Enigma Machine by Michael C. Koss, 2003: printable rotor columns, reflector chart, and step-by-step encoding instructions on one sheet DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised Nick Cave's From Her to Eternity in iTunes, track 4 playing, the young Nick Cave cover at left Sketchbook 38 spread: charcoal sketches of the blackened statues on Charles Bridge, birds swarming around a saint's head Painting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linen Reading Ovid at 03:16 — iPad page of the Metamorphoses with Medea's lines underlined in red: 'It's useless to fight, Medea… This, or something akin to it surely, is what they call love.' Cover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book cover Cover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fog MinoRinth screenshot: a dark glassy figure stands on a yellow wireframe mound, the horned shadow of the Minotaur cast huge on the red wall behind Tiny animated screen-capture: an image-editing window with a small dark photograph inside, too small to read Hand-tinted Meiji-era photograph of two women and an older man gathered around a game of Go on a low board, tea things beside them Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled Sketchbook 45 spread: graphite life studies of a seated male nude torso with crossed legs at left, and a slumped figure with an arm swung out along a dark bolster at right Sketchbook 44: pencil studies after Titian — a twisting nude with flying drapery, and a tangle of struggling figures Top-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbook Tall blurry photo: a bundled figure standing tiny at the foot of an enormous carved wooden church door Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Family evening in sepia tones: a man laughing in an armchair by the fireplace; a girl bent over her coloring at the table while a woman watches from her chair The Path's graveyard: the girl in red stripes standing small among headstones and crosses under grey misty trees Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Sformo-Bands Smooth grey profile of the same girl's head, lips parted slightly, ponytail falling behind the ear Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel 3d Día de los Muertos sugar-skull mask, white with pink flower eyes, green petal lashes and red stitched grin Cover of 'Boris Vian de A à Z', Obliques No. 8–9: the title in bold purple cut-out letters over diagonal yellow and magenta stripes Sketchbook 44 spread: pencil profiles of faces and a hand with a ring, facing a faint mapped reconstruction of Alchemilla Hospital from Silent Hill — elevators, kids' room, kitchen — labeled 'SH1 endgame' Tiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chair Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Roma sketchbook: ballpoint sketch of Bernini's Cathedra Petri in St Peter's — the dove window radiating over the bronze throne and four doctors of the church — '147 popes' Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneath Kiki Smith's Getting the Bird Out: a black cast head lying cheek-down, a twine cord running from its mouth to a small black bird lying at its end Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in In the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foreground Sketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figures Sketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched above Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in front Blender screenshot: a girl's head model mid-retopology, orange wireframe patch over the cheek of a shaded doll-like face Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Three views of a small polished bronze by Auriea: a crouching Magdalene-like figure with long hair pressing a hand to her head, a skull emerging behind her shoulders Metope's Depth tablet: the depth histogram with resize and expand, the depth mask band, the CNC floor and ceiling limits, and the CNC check with bit reach, CNC preview and bit diameter. Back cover of sketchbook 49: dark green cloth with a pasted photo of an open book — 'Relation du naufrage de la frégate La Méduse' — and an embossed rooster Silver laptop running a 3D level editor with skull textures; below it the boxed retail edition of The Path and a black book stamped PR3 Film still of the Queen of the Night: a crowned soprano with a crescent-moon staff rises from painted clouds inside a swirling tunnel of stars Inside cover of sketchbook 20: collaged Muybridge-like figures carrying trays across the bottom, a golden crest reading 'PSYCHE STORY' held up at right, rusty reds above Sketchbook 44 spread: ballpoint plane trees and a mossy fountain, with scribbled motion studies of dancers noted from Les Ballets C de la B's 'Oude King' — 'human range of motion', 'over pain madness' Sketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between them

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