gallery

1497 pieces, shuffled — reshuffle

ZBrush sculpt in progress, close up: a dark-skinned female head tilted back, polygroup seams still visible across the cheek and brow, hair bound at the nape Listening party — On Viale della Trinità dei Monti at dusk, she gathered the palazzo's held warmth—travertine walls yielding their pale grayish browns, the yellowish grays of weathered stone like old parchment. Handmade drawing tools made by Henrik Drescher's students laid out on white: spoons, sticks, sponge-tipped rods, taped filmstrip, feathers and bound rag brushes Studio corner crowded with wood frames holding small game-screenshot prints, art postcards pinned above a green cutting mat Finder list of a dozen folders all named Objects, one highlighted magenta OBJECTS from 22 décembre 2008 Labeled cutaway diagram of the Teller-Ulam two-stage thermonuclear design: primary with plutonium pit beside the cylindrical secondary in its radiation case Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky Sketchbook 38 spread: the roof view again — a sunset skyline in pink and indigo above, and a brick chimney rising through clouds at right Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light Two views of a glazed ceramic tile of a fawn: propped against an antique balance scale on a shelf, and held close-up in a hand Two sepia portraits of a man at home: smiling close in wire glasses and a heavy chain; then aiming his Nikon back at the camera beneath a Pianos Daudé poster Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Near-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001') Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center Sketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a banana Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' Sketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legends Cover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a mask Labeled map of ancient Rome: the seven hills in orange within the red line of the Servian Wall, the Tiber, Tiber Island, and the Field of Mars at left Photo journal card captioned 'Waiting at the kinesiest.' — a waiting-room corner: pull cord, wall socket, sansevieria in the window, 22 Feb 2011 17:07 Mac desktop with a giant dark skull wallpaper, a small photo of a figure at a lectern set into its mouth like a tooth iChat window with Ben Coopersmith: pink and grey bubbles chanting 'make it real' / 'make the dream real', ending with quitting smoking on my birthday Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars Frida Kahlo's The Wounded Deer: a small deer with Kahlo's face pierced by nine arrows, leaping through a corridor of tree trunks toward a stormy sea Tiny animated screen-capture: an image-editing window with a small dark photograph inside, too small to read Duchamp's Air de Paris: a glass ampoule like a teardrop ornament, hooked at the top, hanging on a thread — fifty cc of Paris Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Pie chart of weather, apparently of life: Cloudy 47.5%, Showers 27.9%, Sunny 19.7%, Dreary 4.9% The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Metope's Project tablet: save, save-as, projects gallery, .metope export and import, the ZIP, STL and GLB/USDZ exports, and the five-colour Prusa XL print panel with its filament rows and mapping modes. MTAA's Simple Net Art Diagram, ca. 1997: two clip-art computers joined by a cable, a red lightning bolt at the midpoint labeled 'The art happens here' MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation Sketchbook 49 spread of café and subway sketches: a hooded figure asleep on folded arms in red pencil, a child drawing at a table, and three bespectacled sleepers stacked in graphite Year Zero at bitforms, the rose-pink room: framed monotypes and drawings, a shelf of small dark maquettes, and a white figure on its bracket Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' Bernini's chalk study personifying St Peter's: a standing figure whose outstretched arms become the colonnades embracing the piazza The Piraeus Apollo: an archaic Greek bronze kouros mottled with green patina, standing with both forearms extended, one palm open Two mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored room Still from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darkness A photograph of a printed page with cream-colored paper displaying four centered lines of black text in a simple serif typeface. The text reads: "For the blind man / in the dark room / looking for the black cat / that isn't there." Sketchbook 39: a woman in a slip drawn in charcoal and white chalk on kraft-brown paper, her head turned sharply in profile, hair swept up A finished dessert plate: strawberry-red smears, one strawberry crown left, spoon and fork crossed Sketchbook 46 frontispiece on orange paper: A. E. Stallings's poem 'The Island of Skyros' copied out under a painted title, with a ballpoint still life in the corner — Ghent, NYC, Indianapolis, Belgrade, March–August 2013 Three webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling face Journal page dated February 19: notes before Las Meninas at the Prado — 'surprised by brushwork, muddy and rough… the strokes being alive' — with two ink sketches

1147 more ›