gallery

1479 pieces, shuffled — reshuffle

Hand-drawn anarchy symbol: a rough black brushstroke A crossing through a circle Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips Letter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008 Edvard Munch's Puberty: a naked adolescent girl sits on the edge of her bed, arms crossed over her lap, a heavy shadow looming beside her Nine well-used colored pencils and pastels fanned out on grey — silvers, blues, reds, black and brown Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Sketchbook 40, Schloss notes: a red ribbon whipping between inked topiary and hedges, sketches of chandeliers and a fountain in a room, notes on hidden servant doors Dark digital drawing: a doll-like face buried in a storm of scribbled black hair over mottled green and magenta Cover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II' Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right Back cover of sketchbook 48: green and brown marbled paper over worn boards with dark leather corners and a red cloth spine Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Diptych by the wooden door: grinning in a fur-trimmed hooded coat, then hiding — pulling the hood down over her face Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Standing small before the Pergamon Altar friezes in Berlin, hands at sides, bag dropped on the marble floor, battling gods overhead Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Mac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged background Classic Mac OS dialog box reading 'Error. Success!' with an OK button — the story of my life Black-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulder Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia Grisaille digital study of a classical marble bust — woman with headband and braided hair — on a flat pink ground ZBrush sculpt for MinoRinth: a child-faced figure with blank eyes, cow ears, and great curved horns, hair braided up into a knot Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Velázquez's The Triumph of Bacchus (Los Borrachos): the young wine god crowns a kneeling drinker among grinning peasants, Museo del Prado Sketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foreground Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' Blurry cellphone photo from Mom: Canada geese grazing on a sunlit lawn at Eagle Creek, a green pond and trees behind Atari Centipede arcade marquee: the green centipede winds through red-capped mushrooms and yellow starbursts in purple and green Green-tinted diptych: Auriea photographing herself in a mirror on a staircase, paired with a framed portrait of Freud hanging beside a curtain Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Mac weather widget for Gent: 63° now, a sunny week ahead, 72–77° Tuesday through Sunday Sketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shade Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Roadworks warning sign gif: the digging man in a red triangle — u radu je spas, in work is salvation Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Gilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornament Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Sketchbook 44: a magenta orchid painted in gouache and colored pencil against a smoky black-brown ground, buds above and a fainter penciled bloom emerging below Browser screenshot of a2p.bitmark.com, Artworks I own: an edition grid with works by Warburton, Sougwen Chung, Petra Cortright, LIA, Lieberman, Shu Lea Cheang, Pipkin, and Auriea's Sketch for a Cyclops An antique red-and-gold binding of Vecellio's Costumes Anciens et Modernes given new blank pages — old spine, bare label panel, fresh paper inside Spy Test Scan of a single leaf gilded entirely in tarnished silver, its serrated edge and stem intact against black Sketchbook 48 spread: atelier maxims on block-in and contour — 'no straight lines in anything ever', 'limbs start turning before the joint' — facing a faint gesture sketch of a striding horse Anne Carson, 'Could I': 'If you are not the free person you want to be, you must find a place to tell the truth about that… The point is not to find a reader, the point is the telling itself.' Sketchbook 44 spread over the printed chapter headings of Feu et Flamme: a tonal graphite nude curled around his knees, hands clasped over his feet Ingres's Jupiter and Thetis: the sea nymph kneels against the enthroned god's knee, one arm raised to his chin in supplication, an eagle at his side A Gemini year-ahead horoscope: 'a big change is in the works… everything you've been thinking of changing will be greenlit, light by light, and in time.' Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' Forensic facial reconstruction of Nicolaus Copernicus as an old man with white hair and a fur-collared red robe, made by the Polish police central crime laboratory

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