gallery

1458 pieces, shuffled — reshuffle

A modular synthesizer built into wooden cases on slender antique legs: two tiers of patch panels and dials above a keyboard Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Lain's bedroom from Serial Experiments Lain: a girl hunched at a glowing monitor amid stacked computers and coolant cables, stuffed animals lined along the window Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Three chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outline Church marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop' Night desk: an iBook showing a dark forest painting, in front of a big monitor with Blender open on a textured cube — Endless Forest work in progress Atari Centipede arcade marquee: the green centipede winds through red-capped mushrooms and yellow starbursts in purple and green Still-life painting: a human skull in profile shelved inside a rough wooden box beside a small glass bottle of clear water Listening party — On Viale della Trinità dei Monti at dusk, she gathered the palazzo's held warmth—travertine walls yielding their pale grayish browns, the yellowish grays of weathered stone like old parchment. MinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wall Green-on-black terminal listing: files MissJones and THEDEVIL, then the command 'cp ._THEDEVIL ._MissJones' Standing small before the Pergamon Altar friezes in Berlin, hands at sides, bag dropped on the marble floor, battling gods overhead Sketchbook 41 spread on grey paper: a blue circle with traced hands, and portraits of grandmother in a blue headscarf, hooded mourners, roses, and publishing-platform notes below Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case 3d model of a weathered stone grave cross in an empty grey Blender viewport — a gravestone for The Endless Forest Sketchbook 45 spread: graphite life studies of a seated male nude torso with crossed legs at left, and a slumped figure with an arm swung out along a dark bolster at right Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down Sketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour lines Roma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo' Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top Entropy8 baroque logotype: the letters E-N-T-R-O-P-Y-8 descending through a thicket of white rococo vines and flourishes on black Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia Narrow interface background strip: a rounded black bar fading downward into white Mirrored webcam self-portrait: face doubled down the center line, drinking from a glass, dreadlocks framing both halves High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents A whole pumpkin pie on a metal plate with one slice cut and slightly pulled out, on black granite Airmail envelope from the John Simon Guggenheim Memorial Foundation, 90 Park Avenue, addressed to Ms. Auriea L. Harvey Sketchbook 41 spread: pencil and red ballpoint life-drawing studies of crouching and reclining nudes, with a handwritten list of painters — Morot, Shishkin, Carlsen, Mancini, Prud'hon, Vibert, Bonnat, Ribera Inside cover of sketchbook 20, winter 1993: an inked self-portrait on sky blue under the printed word 'EINLEITUNG', golden grasses collaged over the chest Inverted photo: bare legs dangling from a silver-insulated ceiling above shopping baskets of toys — a mirror-world garage Sketchbook 46 spread: life-drawing session painted over a violet watercolor ground — standing, bending and cross-legged nudes reserved in white, one small figure in full dark wash Barack and Michelle Obama embracing forehead-to-forehead on election night, black stage behind — AFP/Getty frame Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking up Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Sketchbook 38 fold-out: a pencil still life of a Pelikan Fount India ink bottle lying on its side beneath the curve of a banana Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes Example #22 installation: the Minories vitrine on its tall stand behind the flat Magdalene case holding open sketchbooks, tablets and small dark figures Sketchbook 48 spread: pink-pencil dancer with raised arm over notes on the Musée Carnavalet — 'Paris explained by Parisians, collected by a madman' — and the Musée Cognacq-Jay's Boucher pastels Roma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.' Black-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panels Cover of sketchbook 15: the darkened, cracked contents page of an antique reader collaged under murky brown paint, entries like 'Trust in God' underlined in red Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneath Sketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump study MinoRinth sky: a blinding white sun ringed in violet, radiating light streaks through drifting sepia clouds crossed by yellow-green vines Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Metope's floating thumb dock: a drag grip, the invert, brush-size and brush-height pebbles, and the gold palette disk. Two blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shyly

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