gallery

1504 pieces, shuffled — reshuffle

Vector-flat forest study in two registers: thin black saplings on flat blue above, dense white frost-like branches and pale trunks below Back cover of sketchbook 17: a Kokoschka Kunstschau drama poster, an 'Andre the Giant Has a Posse' sticker, a strip of red velvet and a tiny yellow cat charm on a string Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-black Small white clay maquette from behind: a kneeling Magdalene with long incised hair holding a skull up at arm's length, face to face Phone raised in the Gesù in Rome, dwarfed by Baciccio's Triumph of the Name of Jesus boiling out of its gilded frame overhead Sketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year' Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below Sketchbook 48 spread: reclining foreshortened nude in graphite, and an ink-and-wash seated woman with one green-stockinged leg — questions in red on using energy lines for invention and composition Triptych of skull self-portraits: cheek pressed to the plastic skull; regarding it at arm's length; holding it up as a second face over her own Reference collage for the cyclops: elephant and Deinotherium skulls, a museum proboscidean skull whose nasal cavity suggests one eye, Polyphemus sculptures and skeleton photograms A bear-suit sleeping bag standing upright: fingers pulling open the fanged mouth from inside, pink lining showing Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at right Studio corner crowded with wood frames holding small game-screenshot prints, art postcards pinned above a green cutting mat Sketchbook 48 spread: notes on the paragone and the Carracci academy beside a large soft-pencil study after Guido Reni — a bearded face in profile with a pointing hand — 'looking at a photo I only see the camera' Two life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in black Six Magdalenes clothed in their own hair: Donatello's gaunt penitent, two paintings of angels lifting her to heaven, Giampietrino's praying saint, and carved altarpiece elevations Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Sketchbook 44 spread: ballpoint portraits drawn during video calls — faces labeled 'cyberkati', a bearded man smiling, a profile in glasses, hands, sleeping cats, and a red-pencil profile Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left ZIBALDONE: the map of cards, lists and boards Cover of The Sandman: A Game of You by Neil Gaiman: a pale arm stretched over a green-tinted castle, a weathered book pinned to a black disc above METOPE paint and glaze figure Sketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figures Caravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sack Sketchbook 38, first spread: a graphite study of an old tree's crossing branches over water, drawn dense and silvery against a blank left page Booklet page for The Books' It Never Changes to Stop: the sampled schoolteacher's monologue — 'Sit up straight and be quiet... absolutely still, every eye closed' — set as a poem Hand-drawn anarchy symbol: a rough black brushstroke A crossing through a circle Journal spread dated 20 Nov 1993: 'not in the same way nicotine addicts are addicted to cigarettes' painted over a murky face, a blue skeleton stamped at right Skeptical Cat meme: an orange cat glowering over the caption Skeptical Cat is fraught with skepticism Spolia-Style-Strut Roadworks warning sign gif: the digging man in a red triangle — u radu je spas, in work is salvation Sketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating above Potted arrangement of pale green sedum rosettes with reddish edges, one spray of small yellow flowers, in a white bowl Another view of Proserpina in sepia: the twist of her torso, his hand gripping, her body arching away Old mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straight Paper background texture shaded all over in soft grey pencil strokes Sketchbook 43 spread: peonies in a ribbed vase in silvery graphite at left; loose pink colored-pencil peonies at right with notes on Keats, Rousseau, and looking deeper Sketchbook spread: ballpoint portraits of friends slouched in chairs, a pasted Gemini horoscope clipping, notes from 'Sat 24 April... 12:22am at Bob's instead' Lecture slide: detail of Bernini's marble hand pressing into Proserpina's flesh, paired with a proportional construction of a face labeled Fig A The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Three chalk studies on green-grey paper of a marble figure's crossed legs under gathered drapery, from full shading to bare outline Animal Crossing screenshot: the player, eyes closed mid-song, exclaims Wahooo! in a wood-panelled interior with a pelican looking on Tempest gameplay: a blue wireframe funnel plunging into blackness, the yellow claw shooter at its rim firing down at red and purple enemies Spolia-Style-Smooth-Detail 3d Día de los Muertos sugar-skull mask, white with pink flower eyes, green petal lashes and red stitched grin Example #22 installation: the Minories vitrine on its tall stand behind the flat Magdalene case holding open sketchbooks, tablets and small dark figures Hands holding open James Jean's Fables covers book: 'No. 67 The Good Prince' with knight and giants, and 'No. 43 Arabian Nights (and Days)' djinn spread Roma sketchbook: ballpoint sketch of Bernini's Cathedra Petri in St Peter's — the dove window radiating over the bronze throne and four doctors of the church — '147 popes'

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