gallery

1479 pieces, shuffled — reshuffle

AP photograph of the yeti crab Kiwa hirsuta: a white deep-sea crab, its long arms shaggy with pale silky bristles John William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floor Sketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind it Sideways photo in the Pisa Baptistery: the bronze Saint John the Baptist raising a cross-tipped staff atop the font's spired Gothic canopy Background tile of thin gold threads wandering and crossing over a white field John Singer Sargent's Ellen Terry as Lady Macbeth: the actress in a green beetle-wing gown raising the gold crown over her own head with both arms A dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leaves Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVE Cover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 Aug Old mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straight Kim Gordon of Sonic Youth in a 1990s Calvin Klein ad, seated on a couch in a sheer black dress and heels, the CK logotype over the image Sitting alone on a gray-day beach in a black jacket, sketchbook on knees, drawing the waves as they come in Tiny icon of a wooden hourglass, sand gathered in the lower bulb Cover of sketchbook 34: a bluethroat songbird collaged upside down with a sprig of blossoms, over rosy paint on black board with a red rectangle above Six subdivision levels of the Object 01 head in ZBrush, from blocky low-poly cage to a smooth detailed face, arranged left to right Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Sketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire' A single pink peony in a small blue vase on a green bench by an open window, next to a monitor showing Blender with a 3d tree model Close crop of a portrait study after a 19th-century painting: a black woman with hoop earring and white headwrap, unfinished edges Sketchbook 45 spread: graphite still life of a clementine with a dried curling leaf on its stem, and a separate leafy twig floating on the facing page Sketchbook 47 Naples spread: pencil studies after Caravaggio's 'Seven Acts of Mercy', two anguished theater masks, and a winged sphinx — 'Misericordias Domini in aeternum cantabo' Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Sketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love' Cover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 Sept Raw photogrammetry scan for The Flower Seller: a grey ragged-edged bust with a blurred face, an armful of thick-petaled blooms dissolving into scan debris Sketchbook 44: a magenta orchid painted in gouache and colored pencil against a smoky black-brown ground, buds above and a fainter penciled bloom emerging below Glitchy black-and-white webcam still: two ghostly figures side by side over a striped scanline pattern, timestamped 11.6.18.47.30 METOPE paint and glaze figure Grainy black-and-white portrait of young Isabelle Adjani with braided pigtails and dark-rimmed eyes, gazing gravely past the camera The Archive to Come in Mozilla Hubs: floating screens under the heading History, Conflict, Social Justice, one labeled Auriea Harvey, on blue virtual ground Vine style in verde antico, close on the neck struts: three strands in a slow spiral, breathing at the internodes, the twist running unbroken through the joints. 3d prop: an open wooden treasure chest with a faceted diamond on its red lining Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Five Mary Magdalenes with ointment jars side by side: a Flemish Renaissance portrait, a Northern engraving, Caravaggio's penitent Magdalene, a tearful nude leaning on a gold jar, and a hooded mourner in a landscape The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Medical diagram of suturing techniques: over-and-over, mattress, subcuticular, Lembert, Cushing, Halsted, Connell, and purse-string stitches Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Soft-focus black-and-white studio portrait of a girl with dark marcel-waved hair and dark painted lips, gazing steadily at the camera Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Cover of 'Boris Vian de A à Z', Obliques No. 8–9: the title in bold purple cut-out letters over diagonal yellow and magenta stripes Black-and-white café table: a Früh Kölsch bottle and two tall glasses, one full, one nearly empty Text titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog art Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel Leonardo da Vinci drapery study of a standing figure in profile, the robe's deep folds brushed in grey and white on brown prepared linen, numbered XII Nine well-used colored pencils and pastels fanned out on grey — silvers, blues, reds, black and brown Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze New Year selfie from below in the Louvre's gilded galleries, painted ceiling of gods and putti overhead, chin high Photo journal card captioned 'Waiting at the kinesiest.' — a waiting-room corner: pull cord, wall socket, sansevieria in the window, 22 Feb 2011 17:07

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