gallery

1497 pieces, shuffled — reshuffle

John William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floor Drawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lid The Diadoumenos from Delos, ca. 100 BC, National Archaeological Museum Athens inv. 1826. A knotty tree trunk stands beside the left leg, hung with the youth's mantle and a quiver, almost detached from the body. Photograph by Francesco Bini, CC BY-SA 4.0 via Wikimedia Commons. Sketchbook 48 spread in ballpoint: three studies after Rodin marbles — a kneeling nude from behind, a bending clothed figure, and the fallen caryatid carrying her stone — 'they live, they breathe' Small cut-out sprite of a low-poly man in brown jacket and jeans running away, seen from behind — Harry Mason of Silent Hill The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Cover of sketchbook 37: red Moleskine overlaid with gold paper drawn over in red vines and lettering — 'The...King' — a printed eye peering through the tendrils Sketchbook page filled with dense spiral scribble columns, a small eye and profile drawn below, Japanese writing in the margin ZBrush sculpt of a stylized animal skull mask, yellow-green over white with red striped horns and black flame markings Abramović and Ulay, Breathing In/Breathing Out: two faces locked mouth to mouth, trading one breath back and forth A denser QR code on white, larger than the first Black-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble block Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Max/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~ Flemish allegory of Fortune: blindfolded, she balances on a sphere in a stormy sky, shaking coins and goods from two hats over a scrambling crowd, a gallows at right METOPE paint and glaze figure RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Blurry cellphone photo from Mom: Canada geese grazing on a sunlit lawn at Eagle Creek, a green pond and trees behind Cover of sketchbook 33: the sleeping face of van Eyck's God the Father from the Ghent Altarpiece turned sideways in its gold inscribed halo, set into pebbled leather and tapestry E-reader glowing in the dark, thumb on the page: Anne Carson's dedication to Keats, '…FOR HIS GENERAL SURRENDER TO BEAUTY. A wound gives off its own light, surgeons say.' Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at right A thin strip of printed text reading The labours I endured were Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox MinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasm Wax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stem Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote Morning's desktop, windows fanned out: a 'How to Draw the Voronoi Diagram' blog post, tumblr fashion images, palm fronds, a rose-garden double exposure, a bun of locs Wide still from Bill Viola's Going Forth By Day: a procession of people carrying bags and jackets walks steadily through a sunlit pine forest Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Two Blender views of grandmother's house: the dark cutaway interior with staircase and lamp gizmos, and the whole cottage on shocking magenta terrain Roma sketchbook: a gnarled old tree brushed in ink, its roots gripping the ground before an arched arcade Notebook page headed 7 kings, 7 hills, Feb 20 2011: numbered lists of Rome's seven hills and seven kings from Romulus to Tarquinius Superbus, with a sketched map Design sheet of fifteen gravestone sketches on black with red annotations — 'taller + on angles', 'SHE CRIES', 'ERODE BREAK' — planning The Graveyard's tombs Quest3D diagram headed Anatomy of a Nature Painter: a node tree from Start3DScene down to pine-tree surfaces, with textures, materials, and object data circled Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off now Sketchbook 43 spread titled '5 still lives': graphite studies of a sleeping spaniel, a looming foreshortened face, a crouched nude, and a girl in a skirt standing with a bag Sketchbook 48 spread: two graphite studies — a close-up of a hand gripping drapery at a nude's hip, and a rising écorché-like figure with arms flung upward, 'in the presence of others on the last day of class' White vodou veve drawing on a dark grey ground — a starred, symmetrical crossroads emblem framed by two arcs Yayoi Kusama's Fireflies on the Water: an infinity mirror room strung with countless golden points of light trailing into black water Five views of Object 01: a small polished bronze head of Auriea, bald with serene features, shown in the hand, on a black pouch, and beside a leather notebook Webcam shot of a studio wall: swirling green painting, postcards, small mirrors, a Motions box and a Michelangelo's David sculpture book Sformo-Seam-Keys Yellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing set Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange The metal ENIGMA nameplate from a German Enigma cipher machine: capital letters inside a pointed oval badge Sketchbook 49 spread: a horse-headed nude man beside a red bowl with whisk, and an Anubis-like figure draped in red over a large sphere, dated 1st April — a dream-like Egyptian pairing Concert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watching Sketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edge Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes

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