gallery

1479 pieces, shuffled — reshuffle

Sketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing page Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Portable studio on a desk: black felt pencil roll, tiny travel watercolor set with stained mixing lids, sketchbook, tea mug and laptop Metope's Canvas tablet: the canvas shape modes (rectangle, circle, polygon), the block width, height and depth fields with the resize anchor, the block material dropdown with its reroll die, and the new-slab button. News photo of pilgrims wrapped in blankets watching sunrise above the clouds on Mount Sinai, paired with a Google Earth view of the same brown peaks Sketchbook 43: the June 2012 transit of Venus painted as an ochre-gold sun disc with the planet a small dark dot near its lower edge Sketchbook 43 spread titled '5 still lives': graphite studies of a sleeping spaniel, a looming foreshortened face, a crouched nude, and a girl in a skirt standing with a bag Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Notebook spread on the cosmos: paper wheel cutouts, a watercolor star-sphere and a fiery wheel, notes on Anaximander's rings of fire Sketchbook 44 spread, IndieCade: blue ballpoint portraits of Anna Anthropy speaking, Dan Pinchbeck in an Amnesia t-shirt, and Natalie Pozzi in profile Documentation of the ZBrush Spotlight dial: a dark ring of twenty-six numbered icons with a contents list from Rotate and Scale through Smudge, Hue, and Paint Daniel Lefcourt's The Invention of Public Relations: gold-painted nuggets, a slide projector and carousel, rulers, gloves, and archive photos knolled on grey Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...' Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left Digital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled ground Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page Sketchbook 42 spread: ballpoint portraits on tan paper of a sleeping woman with braided hair, eyes closed, and a baby looking down, mouth open mid-babble Auriea's Year Zero at bitforms, New York: a stepped white ziggurat of sculptures — horned bust, small heads, a crowned figure on a column — beside a glowing blue mandala projection Scan of a single leaf gilded entirely in tarnished silver, its serrated edge and stem intact against black Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns Cover of sketchbook 43: white gessoed cloth painted with a large marbled sphere in red, gold and green, a small silver moon circle set into its lower edge Six Magdalenes clothed in their own hair: Donatello's gaunt penitent, two paintings of angels lifting her to heaven, Giampietrino's praying saint, and carved altarpiece elevations Italian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and more Blender viewport for La Vita Nova: scanned bust of a figure with thick locks holding a round object at its chest, white against a black grid Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view Two photographs of a Commodore VIC-20 blank programming cassette: the white tape labeled Side 2 above its silver-striped cardboard sleeve Game character model: a gaunt zombie-like man with skull-white face, arms outstretched in T-pose, black tattered body with white markings Bernini's chalk study personifying St Peter's: a standing figure whose outstretched arms become the colonnades embracing the piazza Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props Comic panel: a goggled surgeon in green scrubs brandishes instruments before a blood-spattered map of America, ranting that laser surgery is what the country needs Sketchbook 40 spread: bare trees brushed in black ink before a lake, pink clouds scribbled in the sky, a carved trunk with a hollow at right Sketchbook 6 page: cipher key mapping invented circle-glyphs to English syllables — tha, the, thi, and, am, is, are, was, be, being, been, -ed, -ly Sketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised arm Metope's Project tablet: save, save-as, projects gallery, .metope export and import, the ZIP, STL and GLB/USDZ exports, and the five-colour Prusa XL print panel with its filament rows and mapping modes. Medical diagram of suturing techniques: over-and-over, mattress, subcuticular, Lembert, Cushing, Halsted, Connell, and purse-string stitches Sketchbook 43 spread: graphite studies of a bent leg and hand holding a pen, and on the right page feet dragged mid-stride, toes trailing across shaded ground Grainy black-and-white portrait of young Isabelle Adjani with braided pigtails and dark-rimmed eyes, gazing gravely past the camera Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents Webcam frame: a man's face looms half out of frame at the right; behind him a brick fireplace, a television, and a small posable skeleton bent double Roma sketchbook: an umbrella pine in terracotta pencil with a dark inked sculpture head resting at its base The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Tiny sprite of a mosquito with green body and spread translucent wings Frans Floris, The Fall of the Rebel Angels: armored archangels with swords and shield drive a writhing avalanche of muscular demon bodies down out of the light Year Zero at bitforms: the ziggurat of sculptures in the dark blue room, the projected mandala now burning orange and gold around a small blue rosette Robert Fludd's black square engraving, its edges inscribed 'Et sic in infinitum' on all four sides Sketchbook 44: graphite copy after Velázquez — a short-haired boy with a white collar glancing over his shoulder, a hand below him raising a small glass Sketchbook 31 spread: a hand-drawn map of Rome's rioni with the blue Tiber winding through — Trastevere, Trevi, Esquilino, the Colosseum — 'ROMA v. 842006 - 1142006 A.D.' Wenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birds Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foreground

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