gallery

1479 pieces, shuffled — reshuffle

Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Finder window 'heaven and earth': cover-flow preview of an open exhibition catalogue on black, 17 numbered photos listed below Finding the eye: three photos of one prosthetic blue-gray eye rolling about an open palm, white-tipped nails, gold ring Two photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtains Max/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~ Mail.app junk-mail window, addresses blacked out: subject To Bertram, these things shall be; body reading Suffer under this complaint we ZBrush: dark red clay-like child figure with orange retopology lines crawling over the body Scanned book page on the twelvefold chain of dependent origination from Udana I: ignorance conditioning all links through old age, death, and suffering Silenus cradling the infant Dionysus, Roman copy after a Lysippan original, Vatican Museums inv. 2292. A vine-wrapped tree trunk carries the composition, and a plain squared strut ties Silenus' lower leg back to it. Photograph by sailko, CC BY-SA 3.0 via Wikimedia Commons. Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind The Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue ground Illustrated chart of ten knots with handwritten labels: overhand, figure-8, reef, sheet bend, carrick bend, bowline, clove hitch, timber hitch, taut-line hitch, sheepshank Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableau Google correcting the search 'keep pens from exploding on airplane' to 'keep pets from exploding on airplane' Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...' Buckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single ocean Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearing Sketchbook 48 atelier spread 'Studio Escalier + Florentine Renaissance': two curving figure studies wrapped in notes on disegno, CHARIS (gift, elegance, love), Degas and 'the fury of the figure' Sketchbook 48 spread: two graphite studies — a close-up of a hand gripping drapery at a nude's hip, and a rising écorché-like figure with arms flung upward, 'in the presence of others on the last day of class' Sketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...' Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat grey Sketchbook 48 spread in ballpoint: three studies after Rodin marbles — a kneeling nude from behind, a bending clothed figure, and the fallen caryatid carrying her stone — 'they live, they breathe' First page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornament Two blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shyly Sketchbook 32 spread: Washington Square Park fountain in white and brown gouache, black silhouettes circling through hot pink swirls — 'a beautiful day after meeting with Wayne + Ashley, 2006' Kim Gordon of Sonic Youth in a 1990s Calvin Klein ad, seated on a couch in a sheer black dress and heels, the CK logotype over the image The same portrait head resolved: black woman in a white headwrap on ochre ground, after Benoist's Portrait of a Negress Voyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visible Reference chart of Blender sculpt-mode keyboard shortcuts: draw, smooth, pinch, inflate, grab brushes and their keys, white text on dark grey Sketchbook 48 spread: reclining foreshortened nude in graphite, and an ink-and-wash seated woman with one green-stockinged leg — questions in red on using energy lines for invention and composition Sketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things' Sketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden' Official letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stamped Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs John Berger in a patterned shirt against a flat blue ground, a still from Ways of Seeing, BBC 1972 Cyan skeleton rig glowing over a barely-visible figure lying in a dark bed — animation bones for a sleeper Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be Metope's Light tablet: the aiming orb with its light chips, brightness and light colour, ambient occlusion, the environment gallery of skies, and the relief normal-depth and shadow sliders. Cluttered Mac desktop: Firefox on a LiveJournal page with a Sinfest comic, over dark Godlove Museum imagery in the background Two studio portraits fanned on a scanner: a grinning man in an NBA cap and Celtics jersey, and a baby girl in pink with beaded braids Photocopied menu of Pizzeria Prima Donna: thirty-four numbered pizzas from Margherita at 3.75 euro to Fantaseer zelf, with a Leaning Tower logo Six subdivision levels of the Object 01 head in ZBrush, from blocky low-poly cage to a smooth detailed face, arranged left to right Dell paperback cover of Madeleine L'Engle's A Wrinkle in Time: a winged centaur rearing over dark mountains, a green face glowering in a crystal sphere

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