gallery

1458 pieces, shuffled — reshuffle

Metope's Material tablet: the PIGMENT and FIRED preview balls beside the colour well, sliders for roughness, metalness, emissive, clearcoat, subsurface and granulation, glaze flow and glaze colour, and the collapsible material library. Two renders on hot pink: a flat grey slab with two black pegs, then the slab split open showing a black gap — Halloween minimalism The Museum of Fine Arts Ghent (MSK) with its columned portico, a red cherry-picker parked on the front steps mid-renovation Sketchbook 48 Paris spread: Sainte-Chapelle Christmas concert — a sculpted angel spreading wings, a soprano mid-note, sprawled legs of listeners, and the music list: Mozart, Purcell, Pergolesi Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Blurred black-and-white photo of the Penguin Classics Ovid Metamorphoses, its cover Bernini's Apollo and Daphne, her fingers bursting into laurel Voyager-style black-and-white photograph of Jupiter against black space, its banded clouds and Great Red Spot visible Grainy black-and-white video still from Rosas' Elena's Aria: two women seated on wooden chairs against a bare wall, one crossing her legs, one clutching her shoulder Charles-Auguste Mengin's Sappho: the poet in black veils bare-chested on a sea cliff at dusk, lyre at her hip, eyes downcast Cover of sketchbook 8 (1990s): silver paint scrawled with dense handwriting around a torn red 'FRAGILE' sticker split by a lightning crack, above a Vitruvian-style figure in a grid Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weeping Handbound felt-covered sketchbook with an iPod Touch bound in as a page, screen reading 'Sync in Progress' — three views of the book-with-battery Tiny grainy black-and-white webcam frame of a woman with long dark hair caught mid-motion, dancing in her chair Mac desktop corner with the IO II and JUPITER cover art as folder icons over a misty forest wallpaper Digital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled ground Sketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figures Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writing Sketchbook spread: ballpoint portraits of friends slouched in chairs, a pasted Gemini horoscope clipping, notes from 'Sat 24 April... 12:22am at Bob's instead' Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Sketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from below Björk in profile for Medúlla, her dark hair braided into an elaborate crown that arcs off her head and veils her face — photo Inez & Vinoodh Sketchbook 49 spread on small baroque bronzes at the Louvre, 30 Dec 2013: tangled sketches of centaur battles and Ovidian groups, a red reclining figure, and two experiments in failed balance Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against green Sketchbook 32, page 34: pencil study of Rodin's Old Courtesan ('She Who Was Once the Helmet Maker's Beautiful Wife'), her bowed bony body in profile Film strip of 3D character models in a dark viewport: costumed figures, a hooded walker with a cane, a wireframe deer, dancers caught mid-pose Michelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawing Robin Minard's à voir, en silence: a black boxed edition holding a grey CD in the lid and a handwritten score sprouting wiry stems tipped with small piezo discs Two sagittal MRI scans of the same head and spine in profile, lips, tongue, and vertebrae glowing white against black Sketchbook 5: dense ballpoint drawing of a horse-like skull in profile, its teeth and cranial plates crosshatched into a black-and-white pattern Spacecraft photograph of Jupiter's moon Io half in shadow, a volcanic plume erupting in a bright arc off its upper limb Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin Sketchbook 49 spread: three charcoal-grey figure studies — a heavy nude bending with hands on knee, a striding draped figure with sword strap, and a fainter climbing figure Two views of a glazed ceramic tile of a fawn: propped against an antique balance scale on a shelf, and held close-up in a hand Back cover of sketchbook 23B: dark red board with a vertical pasted clipping: 'She is a living example of the ancient theorem The Woman is a Sandwich Covered With White Marble.' — Max Ernst Andrew Wyeth's Barracoon: a nude figure lies asleep face down on white bedding against a scumbled umber wall Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' The octagonal baptismal font of the Pisa Baptistry seen from the gallery above, a small bronze figure at its center, set in rings of inlaid marble floor Six panels of charcoal spiral scribbles, black and white, ending in handwriting: 'practise makes perfect BUT perfection is BORING.' Letter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008 Sketchbook 42b spread: soft pencil studies of sculpted horse heads in the Vatican, one bridled head in profile at right, a second head and neck emerging at left Cover of sketchbook 16A: red cloth with a transferred engraving of a cluttered table of tools and instruments, worn and stained Webcam self-portrait at 18h54: a sheet of handwriting held in the teeth over an open notebook and printed mandala images Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Shoulder tattoo in progress: green Japanese waves curling around dark smoke-grey clouds, two red petals falling, partly outlined panels near the shoulder blade EarthBound ('The War Against Giygas!') running in an SNES emulator on a Nintendo DS, menu on the lower screen The Darwin fish emblem: the Christian ichthys grown stubby legs, with DARWIN lettered inside its body and a small fish in its toothed mouth Sketchbook 40, IGS Cologne, Aug 15: pencil portraits of the indie games scene — Brandon Boyer, Michaël Samyn, Douglas Wilson — around the panel title 'Beyond Fun' Hand holding a sketchbook: blue ink wash landscape of icy light with a small dark girl in a white dress standing at right Sketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a flute Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel

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