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1504 pieces, shuffled — reshuffle

Notebook page headed 7 kings, 7 hills, Feb 20 2011: numbered lists of Rome's seven hills and seven kings from Romulus to Tarquinius Superbus, with a sketched map Textured 3d crow standing on flat chroma green, beak open mid-caw Sketchbook 42 spread: ballpoint portraits on tan paper of a sleeping woman with braided hair, eyes closed, and a baby looking down, mouth open mid-babble Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she Sketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind it Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root The Bauhaus curriculum wheel: VORLEHRE around the rim, rings of Stein Holz Metall Ton Glas Farbe Gewebe, and BAU at the core Sketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edge Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook A gray kitten sits bolt upright on the studio's wide plank floor between the piano, its stool, and the open pine door Me and My Ghost: scanline-torn webcam self-portrait, chin on hand, upscaled 2024 Night desk: an iBook showing a dark forest painting, in front of a big monitor with Blender open on a textured cube — Endless Forest work in progress Back cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at left Journal spread: two red-ink figures joined at the torso holding tangled organs, opposite a dense two-column dialogue in silver and red ink over a faint photo MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation Sketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silver High-contrast digital portrait: pale face with heavy black eye makeup and black lips under a blunt black fringe, violet and orange accents BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down Sketchbook 41 spread: charcoal studies of noses and lips, a seated figure, perspective primitives, a red-draped column, and a blue gouache nude marked 'after Carracci' Sketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forward Christmas Eve double exposure: family unwrapping presents by the fireplace, a woman on the hearth, children over a big box, torn red paper on the floor Blender top view: a small posed figure at the crossing of yellow dashed constraint circles and axis lines — camera rig geometry A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Sketchbook 49 spread: a horse-headed nude man beside a red bowl with whisk, and an Anubis-like figure draped in red over a large sphere, dated 1st April — a dream-like Egyptian pairing Metope's Tools tablet: a grid of twenty shape tools (Pad, Coil, Stylus, Knife, Rake, Rib, Smooth, Smear, Pinch, Inflate, Scrape, Move, Crease, Chatter, Gnomon, Moulding, Drill, Extrude, Imprint, Stamp), the Relax Mesh and Rebuild Mesh buttons, and the brush sliders below. Sketchbook 38 spread: pencil towers — the Oudenaarde town hall dome, a crenellated castle brushed dark on pink ground, and Bologna's leaning towers with swallows Cover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea Harvey Sketchbook 32 spread: Washington Square Park fountain in white and brown gouache, black silhouettes circling through hot pink swirls — 'a beautiful day after meeting with Wayne + Ashley, 2006' Sketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in Rome Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case METOPE paint and glaze figure Museum conservation room, deep red walls: Memling's singing and music-making angel panels on wheeled easels among examination lamps and tool carts Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weeping Keith Arnatt-style photograph: a dense white cloud of smoke hanging between green trees in a summer forest Handwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three times Sketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glasses Sunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cord Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials Dark digital drawing: a doll-like face buried in a storm of scribbled black hair over mottled green and magenta RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in Auguste Rodin's The Three Shades atop the Gates of Hell: three identical bowed bronze nudes leaning together, arms hanging toward one another Nine screenshots from Shadows of Our Forgotten Ancestors: red branches, faces through windows, a bloodied man, a hand on a cross Scanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellow Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts Sketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushion George Frampton's Lamia: a polychrome bust with a pale ivory face, eyes downcast, encased in a dark bronze headdress and gown set with opals Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles

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