gallery

1479 pieces, shuffled — reshuffle

Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' Card of brief forms of Gregg shorthand in alphabetical order, 1963: a ruled grid of curling pen strokes, a McKay's price sticker in the corner Body scan, 2002: a horizontal abdominal incision closed with a row of metal staples, stained gauze pads resting above it Webcam frame: a man's face looms half out of frame at the right; behind him a brick fireplace, a television, and a small posable skeleton bent double Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Sketchbook 47: watercolor of Vesuvius smoking above a band of blue sea, with Ovid's Fasti IV quoted below — the prayer of Romulus for Rome, written within sight of Vesuvio, 2 Aug 2013 Sketchbook 43 spread from a hospital room, 1 June 2012: pencil studies of the draped bedside table, IV drip lines, a faucet, and a hand cradling a heart-rate clip — 'Oh Venus, where did I go wrong?' A finished dessert plate: strawberry-red smears, one strawberry crown left, spoon and fork crossed Sketchbook 42b spread: soft pencil studies of sculpted horse heads in the Vatican, one bridled head in profile at right, a second head and neck emerging at left A gray kitten sits bolt upright on the studio's wide plank floor between the piano, its stool, and the open pine door Sketchbook 47 spread: ballpoint life drawings — a bald man in profile, a bending figure with hanging hair, and overlapping reclining and seated nudes Small verdigris bronze: a rough crouched form, part shell and part gilled fungus, raised on thin wire legs over a bed of cast leaves Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Metope's floating thumb dock: a drag grip, the invert, brush-size and brush-height pebbles, and the gold palette disk. Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes Guggenheim Foundation rejection letter, March 9 2007: 'I am sorry to inform you that your application for a Guggenheim Fellowship was not successful' Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition IGN PC games front page with The Path Hands-On featured in the carousel between Burnout Paradise ads The fossil skeleton of Lucy, the Australopithecus afarensis: her scattered bones — skull fragments, ribs, pelvis, limb pieces — laid out on dark blue cloth Printed page on Korean p'ansori: a single singer and one drummer enacting entire epic folk tales, eight hours of song, speech, and stylized gesture Cover of sketchbook 4: black leather-look book collaged with a blurred self-portrait photo in a fractal frame, lettered in green — 'Pseudo Quasi Real' and 'chaos is my life' Sketchbook 47 spread at the Musée de Flandre, Cassel: notes on Flemish Mannerism and 'The Flood' by Matthijs Cock, sketches of a jester and the Struganoff Madonna's snake-like sleeve Ghillie-suit procession: nine figures costumed head-to-toe in moss, straw and evergreen standing on an alpine meadow Cover of sketchbook 42: olive-green board embossed with a crackle pattern, a strip of yellowed cloth tape along the stitched spine and a bent wire clip at top Live 3D scan of someone sprawled on the couch, rendered as white sculptural relief — 59fps, 1.93 million points and counting Fan-made English translation diagram of the Nintendo DS Browser settings menu, mapping every checkbox for web, interface, network, time and shortcut settings Cover of sketchbook 48: an old ledger bound in red leather and swirled brown marbled paper, scuffed white at the edges Mag's first form: a reclining figure fresh off the SLA printer in deep purple, still on its lattice of supports, a smaller twin beside it among bronze and stone kin Saint Bavo's Cathedral in Ghent seen from the belfry: the great Gothic west tower rising over the city's rooftops under a white sky Filmstrip of four grainy webcam frames in sickly greens and reds: a woman at a piano, in a fur collar, resting on an arm, beside flowers Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Page from Chip Sullivan's Drawing the Landscape: exercises for drawing with a pencil in your mouth, an ink-dipped stick, your nose, and finally with your eyes closed Sketchbook 38 spread in charcoal: the gothic buttresses and pointed windows of St Vitus close up, and a small sketch of Charles Bridge arches over the river Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Cover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestal MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky Sketchbook 4, 'Diagram of the War': a page-spanning blue ink flowchart of spirals and rivers of self-argument — 'nothing exists until we perceive it', 'be careful what you wish for' Work desktop: ballpoint sketches of a man's eyes, a red-ink figure drawing, and a 3d man with a dotted wireframe mask — '144 character modeling - Grandmother' in the dock The octagonal baptismal font of the Pisa Baptistry seen from the gallery above, a small bronze figure at its center, set in rings of inlaid marble floor Tale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on cream The Path teaser in four stills: sunlit forest, a dark house — 'IN THIS FOREST / STANDS A HOUSE / THAT REMEMBERS / IT KNOWS' Gilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornament Handwritten score: 'AURIEA, for two pianos' — September 15, 2015, Oostende — playfully, allegretto; 'brush strings gently', 'choose a string, find the note', ending 'fin' three times Sketchbook 49 page: finished graphite study of a lounging male nude with drapery across his thighs, one leg thrown wide, modeled against a dark ground A dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staff Documentation of the ZBrush Spotlight dial: a dark ring of twenty-six numbered icons with a contents list from Rotate and Scale through Smudge, Hue, and Paint Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top iPod ebook page from Ted Hughes's Tales from Ovid with highlighted lines: the goddess rose out of the depth and began the old story of how she was loved by a river

1029 more ›