gallery

1497 pieces, shuffled — reshuffle

Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Sketchbook 43 spread: a real pressed pansy taped over pencil pansies in a vase; opposite, a portrait of an older man in a tank top and a note on seeing the work of Steven Assael, 26 May 2012 Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel Grid of fifteen video frames shot along a highway: billboards reading Available, poles and power lines under a hand-tinted pastel sky Cover of sketchbook 17: cream paper with a small dark varnished window of foliage over faint cursive script, red velvet spine at left Silent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plant Sketchbook 48 spread: reclining foreshortened nude in graphite, and an ink-and-wash seated woman with one green-stockinged leg — questions in red on using energy lines for invention and composition Astrodienst natal chart for Riea: Gemini sun, Libra ascendant, the aspect lines webbing red and blue across the wheel Path production prints: black-and-white posters of the six sisters hung on a line, and the tall Scarlet poster taped up over the tidy desk Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes French poster for Wong Kar Wai's 2046: an embrace in black over neon Hong Kong signage, the title in gold Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Sketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological art Cover of sketchbook 18: a silhouetted photo-booth portrait taped under wrinkled white tissue streaked with rusty red drips Cover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book cover Sketchbook 45: tonal pencil drawing of the back of Martha's head, loose blonde hair falling over an embroidered blouse against a dark shaded ground Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Leonardo da Vinci drapery study of a standing figure in profile, the robe's deep folds brushed in grey and white on brown prepared linen, numbered XII Hands holding open James Jean's Fables covers book: 'No. 67 The Good Prince' with knight and giants, and 'No. 43 Arabian Nights (and Days)' djinn spread Classic Mac OS dialog box reading 'Error. Success!' with an OK button — the story of my life Closed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphere Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown' The Metope Atelier interface: the glyph spine at the left, the Tools tablet pinned open with all twenty shape tools and the brush controls, the Material tablet at the right, and a relief in progress in the viewport. Sketchbook 35, a diary week crossed out to 'X-MAS': pencil portrait of an older woman in profile with a wine glass, and studies of hands and a girl reading Black-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should be Painting of a white wolf nosing through a field of collapsed red-haired girls in polka-dot dresses — a Path-like Red Riding Hood massacre in candy colors Sketchbook 47 spread: Tivoli notes on Villa d'Este's Hercules frescoes, and a watercolor of the artist's bare feet propped against the blue Bay of Naples with Vesuvius and Capri beyond — Sorrento and Pompeii notes around it Soft black-and-white photograph of a Penguin Classics Ovid, Metamorphoses: Bernini's Apollo and Daphne on the cover, laurel leaves sprouting from her hands Roma sketchbook: quick ink sketches of sculpture groups — figures wrestling above a skeleton, and a robed statue on a plinth Sformo-Assembled Mirror self-portrait in the Louvre's terracotta rooms: phone raised between the panes of a black vitrine full of small antique figures, a visitor rubbing her eyes at left Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right Sketchbook 22B spread: red flames drawn sweeping across a silvered page, opposite ink studies of a torso, flames, and notes — 'The Lesser of Many, Many evils, 17 Jan 95' Cover of sketchbook 3: black leather painted 'AURIEA'S SKETCHBOOK III' in purple around a photo of a hand with a chaos-star drawn on it, one eye peering past Untextured brown 3d man in a hooded jacket standing at rest in the Blender viewport — 144 character work Rough digital sketch: a grinning bat-eared demon figure in a dark coat with a large white 6 painted on its chest, on tan ground Sketchbook 42, page 66: watercolor and pencil of a sleeper's face resting on a yellow-washed arm, the head faint graphite, the raised forearm a wedge of gold The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Blurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behind Three tiny black bird silhouettes flying across a long white banner Handwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytes Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Etching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floor Sketchbook 38 spread, 'The Roof view': a chimney and a patch of green moss and lichen spreading across pale roof slope in watercolor Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins Journal spread, Oct 1993: a collaged botanical print of roses beside a dream account, and cursive on grey-blue: 'In my life the furniture eats me...'

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