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1504 pieces, shuffled — reshuffle

Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch' Blurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behind Hazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a crane Family posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky above Torn scrap covered in handwritten 'yes yes yes' around a Tale of Tales Endless Forest calling card and a blue A PRIOR airmail sticker Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left Sketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California' Theatrical scene lit against black: a bald monk figure peers over a carved stone chest across a floor of purple tangles toward a shoji screen with a shadowed silhouette Blender wireframe view of a cluster of bare trees for The Endless Forest, black lines on grey Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade The Living Line in wobbly hand-drawn lettering above a screenshot of Droom-Zacht v1.0, 'drawing tools for sleepy people', its canvas filled with dense brown scribble Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky Camera-viewfinder framing of a studio wall: a webcam and USB lamp plugged in, small prints taped up, everything dim and greenish Sketchbook 47 Vienna spread: blue-pencil study after Correggio's 'Jupiter and Io', museum sketchers at easels, Klimt ornament motifs, and notes on the Secession's Beethoven Frieze and the Leopold Museum Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Four video stills of the Mediterranean surf breaking over pebbles, sun glittering on the water Mac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged background Three views of the Object 01 head 3D-printed in blue wax beside a ruler, about five centimeters long, seen in profile, from above, and three-quarter Kiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulder Sketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangle A Magnavox Odyssey, the first home video game console: white unit with two cable-tethered paddle controllers, game cards, and boxed accessories The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge ZBrush sculpt for a leviathan: massive clay-toned monster haunches with a beaked growth, ridged scar rows across the belly, and curved tusks jutting from one hip Sketchbook 49 spread: two soft graphite studies of entwined wrestling nudes, limbs arched and knotted around each other's torsos Auriea Harvey, Iphigenia Sketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foreground Metope's Depth tablet: the depth histogram with resize and expand, the depth mask band, the CNC floor and ceiling limits, and the CNC check with bit reach, CNC preview and bit diameter. Four loose cards from sketchbook 47: a candlestick still life, the Farnese Hercules from behind, an ecstatic upturned face with raised arm, and a light gestural nude stepping forward Netscape window on Windows 95 showing skinonskinonskin by Entropy8Zuper!: Auriea's face half-hidden under dreadlocks, a Z at her fingertips, chapter links across the top Sketchbook 49 endpapers: ex libris page with a photo of an Egyptian harpist relief at the Met and three blue Met admission tags (Feb 16–18), facing studies after Rubens nudes — Ghent, Paris, Dec 2013–June 2014 The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat Sketchbook 41 spread: Sunset Appreciation Society notes with a lighthouse lamp drawn in ballpoint, a turreted house, and below, gouache studies of a fountain and an ultramarine stair tower with the persons of the play (Salomé) listed Nine well-used colored pencils and pastels fanned out on grey — silvers, blues, reds, black and brown Sketchbook drawing of a seagull in pencil and crayon, grey wings and orange beak, red legs, faint clouds sketched above Natal chart drawn in vintage Mac astrology software, cyan double wheel with red and green aspect lines, tables of elements and aspects around it Roadworks warning sign gif: the digging man in a red triangle — u radu je spas, in work is salvation Group photograph of the Bauhaus masters in coats and hats on the Dessau roof — Gropius, Kandinsky, Klee, Moholy-Nagy among them Abramović and Ulay, Rest Energy: she holds the bow, he holds the drawn arrow pointed at her heart, both leaning back Sketchbook 49 spread of Donatello studies: St George and the Dragon relief with a large horse head, the pointed-hatted profile of Saint Louis de Toulouse, and notes on Spiritelli and Brunelleschi vs. Ghiberti Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Photo journal card captioned 'Waiting at the kinesiest.' — a waiting-room corner: pull cord, wall socket, sansevieria in the window, 22 Feb 2011 17:07 METOPE paint and glaze figure Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Sketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edge Digital painting of celosia flowers in a green vase, olive greens on a brown ground with rough pale yellow brushwork around it Diary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper' Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful Sketchbook 42b: charcoal study from the cast or original of a standing classical nude — torso and legs of an Apollo, drapery falling behind the extended arm

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