gallery

1458 pieces, shuffled — reshuffle

Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground Near-black photograph of a bearded man's face barely lit from below by a single tealight flame Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Sketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the margin Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Sformo-Assembled Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right Catalogue text inventorying Louise Bourgeois's 1997 cell Passage Dangereux, room by room: cuffs, mirrors, hanging chairs, glass spheres, a bronze bull Front view of the small bronze Magdalene in raking sunlight, the skull nested in her hair above her folded arms and crossed legs Body scan, 2004: a low stapled abdominal incision in warm dim light, a white dressing pulled aside at the right Raphael's Saint Michael Vanquishing Satan: the winged archangel in blue and gold descends with raised spear onto the demon writhing on the rocks Sketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind it Journal spread: two red-ink figures joined at the torso holding tangled organs, opposite a dense two-column dialogue in silver and red ink over a faint photo A single white dahlia wide open in a green glass vase with sprigs of eucalyptus, on a white table Cover of sketchbook 11, black leather-grain board with a small pasted label: 'THE NEW SCHOOL MUST FALL! LONG LIVE PARSONS!' A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia French poster for Wong Kar Wai's 2046: an embrace in black over neon Hong Kong signage, the title in gold Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up Sketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between them Sketchbook 6 page: cipher key mapping invented circle-glyphs to English syllables — tha, the, thi, and, am, is, are, was, be, being, been, -ed, -ly Solid black silhouette of a slim standing figure, one arm extended straight out to the left, one leg raised Sketchbook 43 spread: two soft graphite studies of the same seated bald model over faint journal writing — from behind at left, from the side with folded hands at right Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication Sketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange opposite Sketchbook 45 spread: ballpoint analysis of Michelangelo's Battle of the Centaurs relief — figures blocked into boxy volumes at left, the writhing knot of bodies drawn organically at right Sketchbook 40 spread planning the Sunset Appreciation Society game: door verbs, bookmark grids, a purple-clouded screen sketch, and lists — sunset alarms, sunset paint by numbers Tiny game screenshot: a figure standing alone in the middle of a cracked grey road through mottled green-orange terrain Three views of a small polished bronze by Auriea: a crouching Magdalene-like figure with long hair pressing a hand to her head, a skull emerging behind her shoulders Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote Roma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tomb Keith Arnatt-style photograph: a dense white cloud of smoke hanging between green trees in a summer forest Two Path scenes: the misty forest with the small white shrine among trunks, and the girl at a picket fence gate before the house glowing purple Two Louvre photos: a gilded ceiling crowded with ornament and putti, and Raphael's La Belle Jardinière with a sketchbook of tumbling cube studies held before it A solid red square Mina Loy's Love Songs in manuscript, 1915: the poem beginning Spawn of Fantasies in a looping hand, signed and dated Sketchbook 40 spread: bare trees brushed in black ink before a lake, pink clouds scribbled in the sky, a carved trunk with a hollow at right Sketchbook 48 spread in pencil: a draped baroque saint clasping a bundle against dark shading, an orange domed chapel on the horizon, and a soft study of figures on rocks Cover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging down Mac weather widget for Gent: 63° now, a sunny week ahead, 72–77° Tuesday through Sunday Sketchbook 25 spread of watercolors: a faint green figure bleeding through above, and below, a blond man in black standing in a Maine yard by a shed — the only known drawing of Rick QR code for the ProjectProject work Sketch for a Cyclops Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Silent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.' Sketchbook 46 spread on orange paper: pencil study of a pedimented baroque facade beyond a staircase, its sky filled in blue with white chalk clouds, beside a watercolor houseplant in a black vase Sketchbook 32, Mediaterra day 3 'Game Art': speaker portraits including Martin Pichlmair in a yellow shirt and star collar labeled 'PWNED', notes on appropriation art Studio wall: a charcoal torso study clipped to a board beside a whitewashed wall hung with USB cables, a mirror below reflecting an outstretched hand Square medium-format photo: a drainpipe kinking down onto a flat tar roof, brick school building and fenced windows behind, morning haze Sketchbook 22B spread: photos of a sculpted head-jar and a brooch-studded form on scorched paper, opposite a mirrored double self-portrait photo above silver foil — 'I give you 1995 of my 23rd year' Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street

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