gallery

1504 pieces, shuffled — reshuffle

Illustrated chart of ten knots with handwritten labels: overhand, figure-8, reef, sheet bend, carrick bend, bowline, clove hitch, timber hitch, taut-line hitch, sheepshank Cover of 'Boris Vian de A à Z', Obliques No. 8–9: the title in bold purple cut-out letters over diagonal yellow and magenta stripes Background tile of thin gold threads wandering and crossing over a white field Cover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II' ZBrush sculpt of a stylized animal skull mask, yellow-green over white with red striped horns and black flame markings Page from Chip Sullivan's Drawing the Landscape: exercises for drawing with a pencil in your mouth, an ink-dipped stick, your nose, and finally with your eyes closed Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Sketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forward The vine in leaf, whole: leafed stems hold the rim and grip the base ring, tendril curls reaching from the mid-height stems, all in verde antico against the pale vessel. 3ds Max panel, Editable Mesh with Element selected: 462 faces chosen, Surface Properties open to set the material ID Sketchbook 48 spread in pencil: a draped baroque saint clasping a bundle against dark shading, an orange domed chapel on the horizon, and a soft study of figures on rocks Sepia self-portrait, head bowed before a window: sunlight flares over the top of the head, dreadlocks hanging, apartment block beyond Album cover of Puccini's Turandot with Maria Callas in a jeweled headdress; Schwarzkopf, Fernandi, and the La Scala forces under Tullio Serafin Indianapolis diptych: pastel wooden houses under a winter sky, and a corner-store cooler with a hand-drawn sign 'ALL CAN POP'S 5 for 1.00 — NO SINGLE!' Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back Tall blurry photo: a bundled figure standing tiny at the foot of an enormous carved wooden church door Sketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing page Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground Flat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing her Spolia-Gizmo-Turn AP news graphic 'A broken heart is not just folklore': a grey figure with heart, brain, kidneys and numbered steps explaining stress-hormone cardiomyopathy, after the New England Journal of Medicine Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Official letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stamped Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing Church on sunday — The courtyard floor holds her attention. Cover of sketchbook 41: grey-blue board stenciled with curling vines, a moth sealed under a round window, a blue tape stripe and a Belgian lion patch Sketchbook 32 dark side spread: pencil sketches of family on couches — a woman reclining with cats curled below, a young woman seated, studies of faces Copper photogravure plate for Saint John the Baptist held in the light: Auriea's face reflects inside the etched figure's hood, a blue fingernail at the edge Studio wall: a charcoal torso study clipped to a board beside a whitewashed wall hung with USB cables, a mirror below reflecting an outstretched hand Double exposure in reds and blues: a sleeping dark face overlaid with a lit clock tower and a night street's lights Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled Cyan skeleton rig glowing over a barely-visible figure lying in a dark bed — animation bones for a sleeper Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Film still of a woman with red fabric mask across her eyes and ink marks on her face, beside a mosaic of the same image reduced to color swatches Three webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling face Blender wireframe view of a cluster of bare trees for The Endless Forest, black lines on grey Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Printed card on the 19th-century 'Language of the Fan', pairing gestures with meanings — 'With handle to lips: Kiss me', 'Fanning fast: I am engaged', 'Open wide: Wait for me' Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Sketchbook 46 spread, Easter 2013: a smoky charcoal portrait of a long-haired girl doubled across both pages, with planetary notes — Mars blood and bone, Saturn teeth, Mercury brain — for a game about the body MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall Sketchbook 48 spread, first day drawing in the Louvre: boxy graphite block-in of a seated nude, ink brush sketches, and the assignment 'Draw all the River Gods!' Webcam self-portrait at 18h54: a sheet of handwriting held in the teeth over an open notebook and printed mandala images Spolia-Style-Cloth-Detail Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right

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