gallery

1504 pieces, shuffled — reshuffle

Hand-drawn anarchy symbol: a rough black brushstroke A crossing through a circle La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO iChat window with Ben Coopersmith: pink and grey bubbles chanting 'make it real' / 'make the dream real', ending with quitting smoking on my birthday Sketchbook 39, digital painting: the full moon as a soft smudge of white haloed in violet-black night ZIBALDONE: the map of cards, lists and boards Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Cover of sketchbook 12A: worn grey-green board mottled with dark stains, taped spine, and a tiny white '#12' label at center Leonardo da Vinci drapery study: brush and grey tempera on linen of heavy cloth over a kneeling figure, the folds modeled in white heightening Sitting alone on a gray-day beach in a black jacket, sketchbook on knees, drawing the waves as they come in Sketchbook 22B open on a road case: a Chinese wedding chair clipping ringed by red imps, and on silver foil a mummy-like figure trailing long roots — 'I am big + the pictures that got smaller' Sketchbook 39, digital painting: a bedside lamp with an orange shade glowing yellow underneath, on a brushy brown ground Two blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shyly Sketchbook 32 spread, Athena 4 Oct 06: the Erechtheion caryatid porch in red ink, a purple caryatid 'cement copy', pencil snakes twisting below — 'growing hair, moving arms, shifting weight' Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic QR code for the ProjectProject work The Mystery Portable studio on a desk: black felt pencil roll, tiny travel watercolor set with stained mixing lids, sketchbook, tea mug and laptop Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins Tiny sprite of a mosquito with green body and spread translucent wings Spolia-Style-Strut-Detail Uscio Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia The Pleiades star cluster: the seven sisters blazing blue-white inside wisps of reflection nebula on a dense starfield Page 125 of Gene Wolfe's Soldier of the Mist: at an opened grave a dead woman speaks as an oracle, questioned about a wolf whose name was Man An NEC monitor displaying a grey 3D sphere studded all over with fragments of buildings and figures, like a small ruined planet Line diagram of a Molotov cocktail: a taped bottle with labeled wick and fuel mixture Spacecraft photograph of Jupiter's moon Io half in shadow, a volcanic plume erupting in a bright arc off its upper limb Grid of grainy black-and-white webcam self-portraits: Auriea in a tank top posing and blurring, a raised palm with VSOP written on it, and close-ups of one eye Sketchbook 49 spread: a single faint gesture drawing of curling, flame-like figures rising up the page fold, the rest of the spread blank Hand-tinted Meiji-era photograph of two women and an older man gathered around a game of Go on a low board, tea things beside them The grown supports with the overhang heatmap turned back on: almost no red remains, and the branches themselves show none, meaning the supports do not need supports of their own. Etching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floor Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Sketchbook 35 diary spread in pencil: the studio television on its wheeled cart of consoles and decks, a book shelf, and a big plush flower against a cube Sketchbook 48 spread in pencil: a bowl of fruit rendered in soft graphite, a week's copying schedule (Centaur, Diana, Rivers, Tiber), and a dark bowed head — 'let go of the photographic eye, see the form' Silver laptop running a 3D level editor with skull textures; below it the boxed retail edition of The Path and a black book stamped PR3 Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters Cover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edge 3D-printed cyclops head prototype in tan filament held in the hand, a single brown glass eye set into its off-center socket Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky Valentine's mail from Marian Bantjes: hand-calligraphed envelope from Bowen Island, a violet sheet dense with swirling script, Canada stamp Protective styles: hands parting and braiding a seated girl's hair, her eyes patient and downcast, a mug and dark shelf behind Sketchbook 32 spread from the Met: a falcon-headed crocodile god in yellow, four red Anubis-like animal heads, and pencil sketches of a resting arm — 'a river runs through him' Webcam shot of a studio wall: swirling green painting, postcards, small mirrors, a Motions box and a Michelangelo's David sculpture book Finder list of a dozen folders all named Objects, one highlighted magenta OBJECTS from 22 décembre 2008 Buckminster Fuller's Dymaxion map: the world unfolded onto an icosahedron so the continents lie as one nearly unbroken island in a single ocean The Piraeus Apollo: an archaic Greek bronze kouros mottled with green patina, standing with both forearms extended, one palm open

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