gallery

1458 pieces, shuffled — reshuffle

Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society French TV weather map ('DEMAIN') covered in burning-car and riot icons instead of weather symbols — the 2005 riots as forecast Six stacked frames from Strange Days: the 11:59 millennium countdown, balloons and confetti over the crowd, and Angela Bassett with braids inside a car Blender screenshot: a girl's head model mid-retopology, orange wireframe patch over the cheek of a shaded doll-like face Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...' Blurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behind Sketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges' A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wall Film still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's Mirror Sketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower left Second woodblock page of the ʼPhags-pa primer: tall columns of angular square-script letters, each glossed with small Chinese characters Kiki Smith's Getting the Bird Out: a black cast head lying cheek-down, a twine cord running from its mouth to a small black bird lying at its end Scanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellow Max von Sydow as Ming the Merciless in Flash Gordon, gloating in a red high-collared uniform beside a white rocket in a rivet-walled corridor Plain pale pink square swatch Tiny blurred frame of figures dancing in a room washed green and yellow Sketchbook 49 spread: a horse-headed nude man beside a red bowl with whisk, and an Anubis-like figure draped in red over a large sphere, dated 1st April — a dream-like Egyptian pairing Reference chart of Blender sculpt-mode keyboard shortcuts: draw, smooth, pinch, inflate, grab brushes and their keys, white text on dark grey Sketchbook 47 Cologne spread in ballpoint: Kölner Dom interior with a red-robed cleric, a Madonna ringed by votive crosses, an octagonal labyrinth and gothic tracery — 'to draw is to confess?' Black flag with white glyphs inside a red circle on black; red caption reads: -1000 days, -10 hours, -10 minutes and -28 seconds Sketchbook 46 spread: a museum cast of a male torso from behind, modeled in charcoal and white on orange paper, beside a lighter sketch of a spiraling sculptural group Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind Cover of sketchbook 9: pink-washed board stamped 'ENCLOSED' in red, scratched with a circled monogram and penciled 'retro-sketch #IX Auriea L. Harvey — PROFOUND IDEAS' Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Back cover of sketchbook 48: green and brown marbled paper over worn boards with dark leather corners and a red cloth spine Sketchbook 38 spread in charcoal: the gothic buttresses and pointed windows of St Vitus close up, and a small sketch of Charles Bridge arches over the river Mail.app junk-mail window, addresses blacked out: subject To Bertram, these things shall be; body reading Suffer under this complaint we Sketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things' Two clear printed head-bottles beside their signed label: 'Object #3 — Head of a Negress in the Form of a Plastic Vessel, 2018, Auriea XLVI. This head has been checked for leaks, but be careful.' Hotel-room door detail: steel panel with white handle, ballpoint graffiti on the frame — 'JOHAN Je t'♥ gio 21/03/08' ZBrush sculpt of a stylized animal skull mask, yellow-green over white with red striped horns and black flame markings Back cover of Huysmans' Against Nature (Oxford, tr. Mauldon): 'It will be the biggest fiasco of the year — but I don't care a damn!' Ingres's Jupiter and Thetis: the sea nymph kneels against the enthroned god's knee, one arm raised to his chin in supplication, an eagle at his side Sunlit self-portrait looking sideways, long dreadlocks over a black top, a red anatomical-heart pendant on a red cord Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center MinoRinth simulation frame: seen from high above, the tiny yellow labyrinth disc and point-cloud tree glow at the bottom of a muted green chasm Sketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California' Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Circular fountain basin ringed by thin jets of water catching evening light, dry grasses in the foreground Design sheet of fifteen gravestone sketches on black with red annotations — 'taller + on angles', 'SHE CRIES', 'ERODE BREAK' — planning The Graveyard's tombs Sketchbook 5: ballpoint self-portrait close-up, face filling the right of the page with lips parted, a chair and window line-drawn behind Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Graphite study of the Borghese Gladiator's lunging leg and arm, annotated 'energy curve is inscribed on the body' MinoRinth canopy: the scanned tree bends into a dome of stippled black-and-sepia foliage over the copper chimneys of the maze towers Snapshot portrait of game designer Fumito Ueda, dark hair falling across his face, against sunlit foliage

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