gallery

1504 pieces, shuffled — reshuffle

Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Painting of a grim place setting: a small head surfacing from a plate of dark soup, spoon, napkin, and a glass of pale wine on white linen Two frames: copper leaf laid with tongs onto a girl's closed eyelids, then her face with gilded eye sockets running in metallic drips like tears Sketchbook 50 spread on grey paper: graphite-and-white studies of a kitten asleep on its back, paws curled, with separate sketches of its ears and toe pads Two frames of Kim Basinger in 9½ Weeks: standing in a doorway in a trench coat, then lying down, hand in her hair, a man's shoulder in front Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Sketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the Louvre Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props Sketchbook 43 spread titled '5 still lives': graphite studies of a sleeping spaniel, a looming foreshortened face, a crouched nude, and a girl in a skirt standing with a bag Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground Near-black photograph of a bearded man's face barely lit from below by a single tealight flame Belgian practical driving-exam sheet, 12/06/2014: 'Uitgesteld' — deferred — with the examiner's litany of Voorbehoud and Onvoldoende line by line Vija Celmins night sky: white stars of varying sizes scattered dense across a black field J.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowl Metope's Texture tablet, the pattern studio: a grid of pattern primitives and the recipe sliders that shape them, with the bake-to-form controls at the foot. Polaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floor Sketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurements Photocopied menu of Pizzeria Prima Donna: thirty-four numbered pizzas from Margherita at 3.75 euro to Fantaseer zelf, with a Leaning Tower logo From behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the water A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket 3D-scanned portrait of the artists mother in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud lace Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' A single white dahlia wide open in a green glass vase with sprigs of eucalyptus, on a white table Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Sketchbook 44 spread: pale watercolor notation of the Pacific coast — green scrub hills, scattered trees, and an ochre bluff washed over faint pencil beneath Full page of the EINLEITUNG self-portrait: inked head over German book text, halo scratched in pencil, flames and torn dialogue scraps rising across a sky-blue chest In the studio — On Borgo Angelico at 14:09, she found Deep Red—that inward turning, garnet-dark, the colour of old blood pooling in silk. Two blurry black-and-white film frames with sprocket holes: a young woman in a t-shirt gesturing, then smiling shyly Leonardo da Vinci drapery study: brush and grey tempera on linen of heavy cloth over a kneeling figure, the folds modeled in white heightening Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Scanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waits Tiny pixel-art GIF of a dark-haired woman in a black top and red skirt, one arm raised — the classic animated dancing girl of the early web Michelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawing Blender simulation of a striped exhibition table: a grey torso on a ziggurat plinth, blue and orange cyclops heads, an orange-gloved fragment, and scattered skulls French grammar diagram of the 'maison d'être': a house with arrows acting out the être verbs — naître, rester, monter, tomber, mourir, aller, venir — around a road marked passer Hazy sunset over Ghent rooftops seen from the Pollepelstraat window: two pale suns — one real, one reflected — hang over silhouetted buildings and a crane MinoRinth screenshot: a dark glassy figure stands on a yellow wireframe mound, the horned shadow of the Minotaur cast huge on the red wall behind Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Spread of the Archimedes Palimpsest: faded Greek minuscule and geometric diagrams ghosting beneath the later prayer-book text Cover of sketchbook 12A: worn grey-green board mottled with dark stains, taped spine, and a tiny white '#12' label at center Gramolazzo · 13 Jun The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapel Sketchbook 46 spread: charcoal study of a man hauling himself up a ladder into shadow, and opposite, a white-faced ram's head peering past an ornately carved cabinet Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Cover of sketchbook 4: black leather-look book collaged with a blurred self-portrait photo in a fractal frame, lettered in green — 'Pseudo Quasi Real' and 'chaos is my life' Letter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008 Dark 3d bird hunkered in a shallow grass nest, one white eye catching light

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