gallery

1504 pieces, shuffled — reshuffle

Browser play-through of Scott Adams's text adventure The Count: green terminal text in a flower box outside an open window, tying sheets and eating daisies Spolia-UI-Overview Grid of grainy black-and-white webcam self-portraits: Auriea in a tank top posing and blurring, a raised palm with VSOP written on it, and close-ups of one eye Card of brief forms of Gregg shorthand in alphabetical order, 1963: a ruled grid of curling pen strokes, a McKay's price sticker in the corner Finder window 'heaven and earth': cover-flow preview of an open exhibition catalogue on black, 17 numbered photos listed below Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center The Endless Forest deer with a glowing white skull face and huge branching red antlers like coral fins, standing in fog Sketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forward Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top Film still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's Mirror Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails Grayscale digital painting of two drooping peony buds, ink-dark leaves against a smudged white sky Sketchbook 49 spread of café and subway sketches: a hooded figure asleep on folded arms in red pencil, a child drawing at a table, and three bespectacled sleepers stacked in graphite Spolia-Style-Trunk-Detail Sketchbook 47: watercolor of Vesuvius smoking above a band of blue sea, with Ovid's Fasti IV quoted below — the prayer of Romulus for Rome, written within sight of Vesuvio, 2 Aug 2013 The Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of ear Photograph of the back of a neck and shoulders tattooed with the single lowercase word life, ending in a period Sketchbook 49 spread: studies after Rembrandt's Man with the Golden Helmet at the Gemäldegalerie, and Géricault at Ghent's MSK — severed-head studies, phrenology marbles, and the 'head of a monomaniac' The Path work-in-progress: dark girl with striped top in an overexposed poppy field, a pale scarecrow figure looming behind her Two photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overhead Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back Rain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fence Indianapolis diptych: pastel wooden houses under a winter sky, and a corner-store cooler with a hand-drawn sign 'ALL CAN POP'S 5 for 1.00 — NO SINGLE!' Cover of 'Boris Vian de A à Z', Obliques No. 8–9: the title in bold purple cut-out letters over diagonal yellow and magenta stripes Spolia-Style-Strut Old mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straight Cover of sketchbook 12B: black board flecked with white and pink paint, collaged strips of patterned paper and a small photo of a white horse at center Snapshot of producer Kenji Kaido and director Fumito Ueda, creators of Ico and Shadow of the Colossus, standing side by side at an event ZBrush close-up of a Path girl's hooded head, wireframed olive face with blank eyes inside a smooth grey hood Two life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in black Vatican City, Vatican City — The Borgo Angelico held her in its greenish gray — that muted tone of weathered plaster, the ground itself. Sketchbook 44 spread: graphite studies of a standing male nude in two overlapping stances at left, and at right the model reclining, legs extended toward the corner Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky A house porch on fire at night: flames and smoke pouring over a stairway railing, lens flare purple in the foreground Paper background texture shaded all over in soft grey pencil strokes Blender wireframe of the old woman's head in profile over her reference photograph — retopology of the grandmother 3d modeling tutorial on limb deformation: three wireframe cylinders comparing edge-loop layouts that keep elbows and knees from collapsing A Burlington Magazine anthology open to the 1998 article The Raphael Tapestry Cartoons Re-examined, with a pricked cartoon head of a woman as its plate METOPE paint and glaze figure Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point Two cartoon theme-park map details: the Cobra loop coaster marked 48, and the wooden Weerwolf/Loup Garou coaster marked 6 John William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floor Spy Test Self-portrait as a point cloud: a figure with dreadlocks floats dismembered inside a white wireframe cube on an endless blue grid Night desk: laptop and iMac both showing The Path (Ruby leaning in headlights, a striped-sock scene), the logo glowing on a Wacom below, Michael behind the far monitor Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white Auriea seated with an orange classical guitar, dreadlocks falling over a green tee, right hand spread across the strings Roma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo'

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