gallery

1504 pieces, shuffled — reshuffle

Silent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.' Sketch of a sphere labeled Classical Model, annotated with incidence of cool reflection, cool turning, neutral shadow, and warm light mass Sketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating above Sketchbook 22B spread: a pencil drawing of a nude sleeper stretched across both pages amid pink stains — 'never before has reality been so appealing...' Timothy Stotz's chart The Flowering Staircase, 1435–1935: five centuries of master-apprentice lineages from Michelangelo and Raphael down to Matisse and Ted Seth Jacobs The Diadoumenos from Delos, ca. 100 BC, National Archaeological Museum Athens inv. 1826. A knotty tree trunk stands beside the left leg, hung with the youth's mantle and a quiver, almost detached from the body. Photograph by Francesco Bini, CC BY-SA 4.0 via Wikimedia Commons. Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky Handbound sketchbook open on a green park table: gouache painting of the pond and trees, the same real pond hazy behind Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Studio corkboard packed with sculpture clippings: bronze foundry photos, Johan Creten and Dirk De Keyzer pages, insects, casts, a blue clay head, 'IT WAS LIKE SO BUT WASN'T' Ana Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bands Silent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wall Small verdigris bronze: a rough crouched form, part shell and part gilled fungus, raised on thin wire legs over a bed of cast leaves Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters Six flash self-portraits in a green dress printed with red-capped mushrooms, dreadlocks loose, photographed from odd angles Tiny game screenshot: a figure standing alone in the middle of a cracked grey road through mottled green-orange terrain Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Digital painting study in umber and bone: a downturned face after an old master, brushstrokes loose, a brush-tool icon floating top left Sketchbook 47 spread at Vienna's Kunsthistorisches Museum: sketches after Titian's Danae and a baroque portrait head, with notes on the Kunstkammer bezoar, Bruegel the Elder, and Vermeer's 'The Art of Painting' Sketchbook 49 spread: Zurbarán studies at BOZAR — Saint Gregory, the Agnus Dei bound lamb, a hooded San Francisco — facing Sevilla heads and 'Titian draws an Immortal, I draw but a girl', 6 May 2014 Faded 1970s snapshot of two small girls in white Easter dresses and hair ribbons on a sunny sidewalk, a black-and-white photo of daisies tucked into the corner Sketchbook 47 spread at Cologne's Wallraf museum: notes on Stefan Lochner and International Gothic, a sketch of the Virgin with a tower, and a study of Falconet's female bather Cover of sketchbook 46: plain grey-green linen with a black elastic band, unadorned Sketchbook 43 spread: pencil lilies in a glass jar — 'Nature is organized. It's like all my life I've been worshipping the wrong goddess' — facing faint studies of hands and feet Cyan skeleton rig glowing over a barely-visible figure lying in a dark bed — animation bones for a sleeper Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure Back cover of sketchbook 26: waxed book pages printed with dark palm fronds and crosshatched shadows, amber and sepia Ross Bleckner's Invisible Heaven: a vast curved lattice of scratched blue-white diamonds receding to a vanishing point high above, like a domed net of lights Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Detail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at right Sketchbook 47 Cologne spread in ballpoint: Kölner Dom interior with a red-robed cleric, a Madonna ringed by votive crosses, an octagonal labyrinth and gothic tracery — 'to draw is to confess?' Flat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing her Codex Seraphinianus illustration: a potted deer head whose antlers are a leafing tree, roots filling the transparent pot Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows Aerial view of snowbound mountain range threaded by glaciers, clouds drifting over the ridges — Himalaya from the plane A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket Sketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised arm A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps The Instagram app icon: a white outlined camera on a purple-to-orange gradient rounded square Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weeping Small cut-out sprite of a low-poly man in brown jacket and jeans running away, seen from behind — Harry Mason of Silent Hill Wax-pale panel with two graphite dead birds drawn beside two black 3D-printed women curled in the same fallen pose Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Sketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...' Bookbinding in progress: a hand steadies a cardboard book cover with a circular window cut out, exposed cords at the raw spine

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