gallery

1479 pieces, shuffled — reshuffle

Sketchbook 48 spread: delicate graphite study of a downcast female nude leaning forward, ringed by spiraling notes on block-in, shadow pattern and 'draw contour last' Close on the leafed neck struts: twisted stems with leaf blades reaching out and up between them. Close on the trunk legs: bark fissures sized to each limb's girth, and a lopped branch stub with its collar — the scar every Roman marble trunk carries. Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writing Polaroid from the seventies: a small girl in a white dress and tights grinning on a huge brocade sofa, feet not reaching the floor Sketchbook 45 spread: ballpoint analysis of Michelangelo's Battle of the Centaurs relief — figures blocked into boxy volumes at left, the writhing knot of bodies drawn organically at right SPOLIA-Shelf Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shoulders Two views of a glazed ceramic tile of a fawn: propped against an antique balance scale on a shelf, and held close-up in a hand Hospital close-up: a hand taped with gauze, an IV line running red past a gold ring Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view Video lecture paused at 14:54 — 'The Nature of Arguments', Critical Reasoning for Beginners, a lecturer beside a slide at the University of Oxford podium Front and back views of Heather Mason's character model from Silent Hill 3: sandy bob, white hooded vest over an orange turtleneck, green skirt and orange wristbands Spread of the Archimedes Palimpsest: faded Greek minuscule and geometric diagrams ghosting beneath the later prayer-book text A battered TDK D90 cassette labeled in red pen Balinese Gamelon, Ketjak Monkey Chant, side A Line graph of human growth from age 1 to 18: cyan male and magenta female height curves rising to plateau, with growth-rate curves peaking in adolescence Cover of sketchbook 46: plain grey-green linen with a black elastic band, unadorned The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Anatomical fantasy drawing: skeleton of a crouched werewolf-like creature, skull snarling, drawn inside its transparent body outline Sketchbook 46 spread, Easter 2013: a smoky charcoal portrait of a long-haired girl doubled across both pages, with planetary notes — Mars blood and bone, Saturn teeth, Mercury brain — for a game about the body Atari Centipede arcade marquee: the green centipede winds through red-capped mushrooms and yellow starbursts in purple and green Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Sketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten below Auriea and Michaël in profile, nearly nose to nose in the blue courtyard of the Casa Azul under the words 'Frida y Diego vivieron en esta casa 1929–1954' Tarot spread on a bright Kandinsky-patterned cloth: a cross layout with a side column of four cards, one card face down The Graveyard grandmother's face in wireframe over textured skin, black beret, on flat sky blue Last.fm top artists grid: Akira Yamaoka on top with 1,685 plays, then Nick Cave, Sonic Youth, Bach, Air, Tom Waits, Radiohead, Björk… Two low-poly grey toy soldiers posed like plastic army men — one swinging a club overhead, one striding with pistol drawn Tale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on cream Tiny low-poly skull render, warm bone tones on black — game skull sprite Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials Quote card — Ingres said: 'Drawing is three-fourths and a half of what constitutes painting. If I had to put a sign over the door of my atelier, I would write: School of Drawing... and I'm certain that I would create painters.' Sketchbook 35, a diary week crossed out to 'X-MAS': pencil portrait of an older woman in profile with a wine glass, and studies of hands and a girl reading Sketchbook 49 spread on Michaël Borremans at BOZAR: thumbnail sketches of 'The Avoider', 'The Garment', 'The Angel' and 'The Devil's Dress' with notes, facing ballpoint figures from 'The Storm' 35mm projection loop MinoRinth canopy: the scanned tree bends into a dome of stippled black-and-sepia foliage over the copper chimneys of the maze towers A dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staff Mirror self-portrait in the Louvre's terracotta rooms: phone raised between the panes of a black vitrine full of small antique figures, a visitor rubbing her eyes at left Still-life painting: a human skull in profile shelved inside a rough wooden box beside a small glass bottle of clear water Twitter exchange: Auriea shares Monteverdi's First Book of Madrigals; Hasan Niyazi replies 'as if 1587 taps us on the shoulder and says remember — blessings' Sketchbook 42 spread: ballpoint figures on tan paper — a dark-haired woman embracing a bald figure from behind at left, faces and a clasped arm layered over blue washes at right Pelt style in miele: hides thrown over the neck struts falling in folds, draped legs below with bare feet emerging under the scalloped hem. Cover of sketchbook 37: red Moleskine overlaid with gold paper drawn over in red vines and lettering — 'The...King' — a printed eye peering through the tendrils Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots Text titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog art Till We Have Faces, pages 182 and 183: the god's unmoved voice sends Psyche into exile — you also shall be Psyche — as Orual hears distant weeping Blingee'd black-and-white Crater Lake photo: animated stars and sparkles, 'Merry Christmas!' stamped in the corner Handwritten notebook page in blue ink headed Museum Quality Artwork: notes on institutional credibility, the frame of the museum, and the aging of bytes Path character sheet '6_Scarlet': polaroids of the eldest sister, red-bunned and severe, painted portrait style, with a forest reference photo

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