gallery

1458 pieces, shuffled — reshuffle

Grainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limb Cover of sketchbook 34: a bluethroat songbird collaged upside down with a sprig of blossoms, over rosy paint on black board with a red rectangle above Sketchbook ballpoint page: a big-haired figure gazing sideways, an ear study, a diagram of arrows around a circle, and a small drawing of a girl in a room Sketchbook 48 Musée Rodin spread in ballpoint: Gates of Hell figures, a crouching nude, and notes on Camille Claudel's 'L'Âge Mûr' — 'marble so often looks like soft skin, like butter' Tiny dark graphic of a small white puff of cloud or smoke floating in blackness Sketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched above Windows taskbar: Photoshop, paint, shortcut to blender, Blender, Quest3D all open at 10:45 Sketchbook 44: pencil drawing of the ruined castle of Fenouillet on its rocky hilltop, drawn as an outline map of boulders with touches of violet ink MinoRinth screenshot: looking down a vast fluted brown pit toward a small green labyrinth disc ringed in white at the bottom, a pink light-arc curving across The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti Split screen: a folder of vanitas skull paintings beside a YouTube documentary about painter Fuyuko Matsui, a woman in kimono seen from behind Annotated guide to the Japanese social network mixi: orange navigation bars broken down row by row into kanji, kana, and English definitions Wax-pale panel with two graphite dead birds drawn beside two black 3D-printed women curled in the same fallen pose Cover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a mask Sketchbook 46 spread: two graphite dancers pressed back to front, one gripping the other's hip, beside a black gouache figure with a raised brush-stroke arm The Archive to Come in Mozilla Hubs: floating screens under the heading History, Conflict, Social Justice, one labeled Auriea Harvey, on blue virtual ground Rain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fence The Laughing Man logo from Ghost in the Shell: Stand Alone Complex — a winking smiley ringed by the circling Salinger quote 'I thought what I'd do was, I'd pretend I was one of those deaf-mutes' Sketchbook 43 spread titled '5 still lives': graphite studies of a sleeping spaniel, a looming foreshortened face, a crouched nude, and a girl in a skirt standing with a bag iTunes playlist of 20 songs — Radiohead's Bullet Proof, Carmen McRae, XTC, Tom Waits, Sonic Youth, Roisin Murphy's Off On It highlighted Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Tale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on cream Spread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the Mountain Leonardo da Vinci drapery study of a standing figure in profile, the robe's deep folds brushed in grey and white on brown prepared linen, numbered XII Sketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edge Cover of sketchbook 28: swirling marbled paper in sage, rust and cream, held shut by four pale elastic bands Three views of the Object 01 head 3D-printed in blue wax beside a ruler, about five centimeters long, seen in profile, from above, and three-quarter Wenzel Peter's Adam and Eve in the Garden of Eden: the first couple beneath the tree among lions, camels, horses, swans, and hundreds of birds Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' First page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornament Anatomical fantasy drawing: skeleton of a crouched werewolf-like creature, skull snarling, drawn inside its transparent body outline Folder of seven Hiroshi Sugimoto Seascapes thumbnails — Aegean Sea, Baltic Sea, Bodensee, Lake Superior, North Atlantic, Sea of Japan, Tyrrhenian — each a bare grey horizon of sea and sky Sketchbook drawing of heaven and hell: a bowed figure in black on brown earth, flames at their feet, while a distant figure exults under a cross and red sun Small verdigris bronze: a rough crouched form, part shell and part gilled fungus, raised on thin wire legs over a bed of cast leaves Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche Black-and-white café table: a Früh Kölsch bottle and two tall glasses, one full, one nearly empty Abramović and Ulay, Pietà: he lies white-clothed across her lap over a spill of red cloth as she looks upward Sketchbook 22B spread: red flames drawn sweeping across a silvered page, opposite ink studies of a torso, flames, and notes — 'The Lesser of Many, Many evils, 17 Jan 95' Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses Sketchbook 49 spread in red pencil: a nude curled on a block seat pressing both hands to her face, hair spilling over her fingers, with a faint rubbed-out figure on the facing page Digital charcoal studies of two Michelangelo figures: a twisting bound slave washed in yellow, and a second figure with arm raised overhead Animation frames from Eraserhead: the pale-cheeked Lady in the Radiator standing with clasped hands on her small lit stage between dark curtains Sketchbook 49 page: finished graphite study of a lounging male nude with drapery across his thighs, one leg thrown wide, modeled against a dark ground Sketchbook spread in ballpoint: cathedral vaults and rose windows swarming with lines — 'So I guess I'm graduating... at Riverside Church, Sat 15 May 93' Extreme close-up of one made-up eye, winged eyeliner and freckles, looking sidelong Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition Tippi Hedren lighting her cigarette from a match held in a crow's beak — The Birds publicity photo Drawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lid

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