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1479 pieces, shuffled — reshuffle

Sketchbook 46 spread: notes on Viktor Shklovsky's 'Making Strange' and estrangement in art, a small self-portrait with twisted locs, and a nude holding dark lilies drawn in pencil and sanguine Cover of sketchbook 22A: a striped box drawn in black ink on pink board with 'present' written in cursive across it, signed Auriea Harvey Belgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled below Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Three views of a small polished bronze by Auriea: a crouching Magdalene-like figure with long hair pressing a hand to her head, a skull emerging behind her shoulders A dry twig with curled dead leaves lying on a pale surface, tiny white flower stickers pasted onto the dead leaves The Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue ground Frida Kahlo's The Wounded Deer: a small deer with Kahlo's face pierced by nine arrows, leaping through a corridor of tree trunks toward a stormy sea Drawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lid Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze Quest3D diagram headed Anatomy of a Nature Painter: a node tree from Start3DScene down to pine-tree surfaces, with textures, materials, and object data circled Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow Unity editor view of MinoRinth: the scanned point-cloud tree spreading over circular maze walls, brick towers, and purple stones around a green center Sketchbook 44: graphite copy after Velázquez — a short-haired boy with a white collar glancing over his shoulder, a hand below him raising a small glass Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' Early Netherlandish panel of Eve holding the apple beside the tree, the serpent coiled up the trunk wearing a woman's golden-haired face, the paint finely crackled The Mystery, second version in pale green: the skull smoothed and helmeted, the face sunk in its socket, a long horn looping back like a ribbon Three views of a small book silvered edge to edge: metal leaf cracking and peeling across the gutter of its open pages Hospital close-up: a hand taped with gauze, an IV line running red past a gold ring Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall Novelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portrait Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles Sketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind it Grid of fifty identical grey 3D heads showing facial morph targets: rows of subtle brow, eye, and mouth shapes, one mouth open wide mid-shout Audio editor screenshot: stereo waveform swelling to a dense block of sound just before the 1'00 mark Three museum selfies of Auriea with Raphaels: the Ecstasy of Saint Cecilia in Bologna, the portrait of Baldassare Castiglione, and the Madonna of the Meadow Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom Vine style in verde antico, close on the neck struts: three strands in a slow spiral, breathing at the internodes, the twist running unbroken through the joints. Sketchbook 42 spread: ballpoint portraits on tan paper of a sleeping woman with braided hair, eyes closed, and a baby looking down, mouth open mid-babble Two photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtains Sketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange opposite Sketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower left Sketchbook 42, page 88: ballpoint domestic still life — a stereo tower and tissue box on a table, a game controller resting on a bed, snacks and a glass on a striped cloth Peter Verhelst theatre tableau: performers sprawled sleeping in a heap among foam animal sculptures — deer, swans, pelicans — in fringed costumes Jarboe on stage in Rotterdam, blurred in magenta light, long-haired guitarist at right and drum kit behind Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shoulders Animation frame of Captain Kirk from the Star Trek episode Plato's Stepchildren, source of his kiss with Uhura Ink sketchbook page of antlered stag studies — one full body with heavy fur, two roaring heads, loose antler diagrams French TV weather map ('DEMAIN') covered in burning-car and riot icons instead of weather symbols — the 2005 riots as forecast Two Mexican codices in museum vitrines: pictographic pages with red pointing hands and demons, and a text page with a village river scene Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground Yellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing set Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt Sketchbook 46 spread, Easter 2013: a smoky charcoal portrait of a long-haired girl doubled across both pages, with planetary notes — Mars blood and bone, Saturn teeth, Mercury brain — for a game about the body Roma sketchbook: study of Daphne's hands sprouting laurel leaves at her fingertips, drawn in ink across the spread The Instagram app icon: a white outlined camera on a purple-to-orange gradient rounded square Journal page dated February 19: notes before Las Meninas at the Prado — 'surprised by brushwork, muddy and rough… the strokes being alive' — with two ink sketches

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