gallery

1504 pieces, shuffled — reshuffle

The Instagram app icon: a white outlined camera on a purple-to-orange gradient rounded square Five progressive states of the Magdalene etching side by side, the skull-faced seated figure emerging from faint outline to dense black shadow Ruby's head front-on: red bowl-cut wig over black eye-mask shadow, mouth open, black choker, on deep blue French TV weather map ('DEMAIN') covered in burning-car and riot icons instead of weather symbols — the 2005 riots as forecast Album cover of Bama the Village Poet's Ghettos of the Mind: a bald head in profile whose brain is a collage of sepia photographs Skype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner window In the Ghent Altarpiece restoration studio: Van Eyck panels on easels, a hand holding up a blue 3d-printed hashtag arthistory in the foreground Page 12 of Hiroshima Mon Amour: in the café she tells why she went mad in Nevers — her head shaved in 1944 for loving a German soldier — every mention of Nevers highlighted First page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornament Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love Bruce Nauman's 1967 neon spiral: 'The true artist helps the world by revealing mystic truths' in blue script wound inside a red-pink coil on a dark wall Tiny dark sketch of three standing figures side by side, scratched out of black ink Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' iTunes playlist of 20 songs — Radiohead's Bullet Proof, Carmen McRae, XTC, Tom Waits, Sonic Youth, Roisin Murphy's Off On It highlighted Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Diary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper' Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch' Sally Mann's Virginia #42 (2004): huge varnished silver print of a freckled sleeping face, eyes closed, gallery caption below Side view of Auriea's sculpture Fauna: a child's serene face emerging from a cracked white plaster-like head veined with gold, one long ear drooping, on a dark printed base Silent Hill screenshot: Harry Mason stands at a counter with a red notepad as text reads that someone may someday find these notes useful Sketchbook 42 spread: graphite copy of a muscular bearded figure biting his knuckles, after a Sistine ignudo or slave, above a faint pencil tangle of folded limbs Cover of sketchbook 7 (1990): white spiral book covered in pink lipstick kisses, inked 'Auriea Sketchbook VII — chaos is my life — Pseudo Quasi Real', 20 Aug–26 Sept Low-poly 3d white owl with wide yellow eyes perched on a bare branch, against flat grey Grid of grainy black-and-white webcam self-portraits: Auriea in a tank top posing and blurring, a raised palm with VSOP written on it, and close-ups of one eye Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor Mac desktop tiled with video-chat screenshots — a classroom of students on the far end, the two callers picture-in-picture in each window Black-and-white photograph of the Auschwitz gate, the wrought-iron ARBEIT MACHT FREI arch over the empty road between barracks Mac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged background Sketchbook 49 spread in silverpoint-light graphite: a mustached man's face, a hand gripping a dark plum, a corked bottle, and a nude beside stacked studies of a bearded head and wing Sketchbook 46: soft pencil drawing of a crowned Madonna statue with hands pressed in prayer, ringed by a halo of roses Five studio photos of Saint John the Baptist growing from a skeletal clay armature to a full figure raising a shell, long-haired and bearded, against red curtains Dutch botany diagram in six panels showing successive growth stages of the prikneus (Lychnis coronaria), pink blooms multiplying frame by frame Blurred black-and-white frame: pale hands and limbs smeared in motion against darkness Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Paint coverage across a stroke, before and after — measured from the colour buffer QR code for the ProjectProject work The Mystery Journal spread: on deep red, a collaged engraving of a dancing couple falling, opposite a page-filling face scribbled black and red over a huge lashed eye — 'no idea....' Sketchbook 44: pencil drawing of the ruined castle of Fenouillet on its rocky hilltop, drawn as an outline map of boulders with touches of violet ink An old engraving of two figures embracing beneath a rocky overhang, overpainted with ranks of falling black teardrops that spill past its margins Labeled cutaway diagram of the Teller-Ulam two-stage thermonuclear design: primary with plutonium pit beside the cylindrical secondary in its radiation case Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking up The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her ZBrush: dark red clay-like child figure with orange retopology lines crawling over the body Further along: the Circe master copy after Waterhouse, drapery and throne beasts more resolved Notebook spread on the cosmos: paper wheel cutouts, a watercolor star-sphere and a fiery wheel, notes on Anaximander's rings of fire Sketchbook 31 spread in pencil: a jet seen from above the clouds and a sleeping fellow passenger — 'Slept. Flying out of Charleroi...' Spolia-Style-Smooth Susan Harbage Page's Palimpsest: black-and-white photograph of a nude torso covered in dark tally marks scored across the skin Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be Me and My Ghost: webcam self-portrait dissolving into dotted wave lines, upscaled 2024

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