gallery

1504 pieces, shuffled — reshuffle

Cover of sketchbook 47: a graphite study of the Farnese Hercules from behind set into the gilt-framed panel of a worn red book cover Copper photogravure plate for Saint John the Baptist held in the light: Auriea's face reflects inside the etched figure's hood, a blue fingernail at the edge Close crop of a portrait study after a 19th-century painting: a black woman with hoop earring and white headwrap, unfinished edges Book page of Chris Crawford's definition of interactivity: 'a cyclic process between two or more active agents in which each agent alternately listens, thinks, and speaks' Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snake Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right Smooth white 3d sculpture render on black: two abstracted nude figures curled into a ring, one body flowing into the other Four dark photo-collage panels from Ceremony of Innocence: a winged nude under a full moon, a doubled sleeping head, a shrouded figure wound in threads, and a plate of dark cakes Sketchbook spread in blue ballpoint: a large portrait of Martin Luther King Jr. speaking at right, smaller faces, a crown and 'KING' sketches at left Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down Sketchbook 48 spread in graphite: self-portrait with full hair and hand at chest, legs in patterned tights on heeled sandals, a coffee mug, and tiny thumbnails noting 'The Moon' and a black dog Sketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paint Eight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, Cranes Blender wireframe of nested matryoshka dolls, four egg-bodies one inside another in orthographic view The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Sketchbook 49 spread at the Musée Jacquemart-André: notes on Vigée-Lebrun, Van Dyck and Lord Leighton's 'Antigone', facing a dense graphite copy of Aleijs Loir's sprawling satyr with pipes Still from Tarkovsky's Stalker: the Stalker's daughter in a gold headscarf rests her head beside two glasses on a stone table lit by a window Corner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheets Spread of the Archimedes Palimpsest: faded Greek minuscule and geometric diagrams ghosting beneath the later prayer-book text Italian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and more Louise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn block Sketchbook 43 spread from a hospital room, 1 June 2012: pencil studies of the draped bedside table, IV drip lines, a faucet, and a hand cradling a heart-rate clip — 'Oh Venus, where did I go wrong?' Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Belgian practical driving-exam sheet, 12/06/2014: 'Uitgesteld' — deferred — with the examiner's litany of Voorbehoud and Onvoldoende line by line Sepia museum display of a mastodon skeleton before a painted marsh mural, its label reading 'This mastodon was found in Indiana' Pie chart of weather, apparently of life: Cloudy 47.5%, Showers 27.9%, Sunny 19.7%, Dreary 4.9% Six subdivision levels of the Object 01 head in ZBrush, from blocky low-poly cage to a smooth detailed face, arranged left to right Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-black Sketchbook spread: at left a black ballpoint doll-like head with a red mouth on a stalk; at right, red ballpoint legs in heels reclining from the page corner La Vita Nova render: a small point-cloud woman glows in a narrow slot between dark pyramidal blocks, a pale sun haloed in the starry sky above Ancient Egyptian bronze mirror: a slender standing woman forms the handle, her upraised arms curving into a papyrus support for the broad golden disc Cover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold wash Two self-portraits of Auriea at 25 with short locs: leaning against a car on a mountain road, and among junipers at the rim of a canyon Sketchbook 48 spread: notes on Bernini and Poussin at a dinner party, Michelle's advice on chalk drawing, Subleyras and the 1740s turn to Neoclassicism — 'David, the father of us all' MinoRinth corridor: the great dark tree rises between two shadowed maze walls, its speckled crown filling the pale sky Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Contact sheet of eleven webcam video stills, timestamped: a man and a woman on a green sofa in take after take — interview recording Almost-black room: a dark silhouetted head in the foreground, a man's face lit by a screen at the far desk, an icon poster on the wall A single pink peony in a small blue vase on a green bench by an open window, next to a monitor showing Blender with a 3d tree model Sformo-Seam-Keys Bill Viola's Dolorosa: a hinged diptych of two video portraits in the manner of devotional panels — a curly-haired woman and a bearded man, both weeping with closed eyes The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapel French test 'Het Perspectief' marked 18.5/30 in red — conjugations corrected, self-introduction paragraph: 'Je m'appelle Auriea Harvey, j'ai 38 ans…' Cluttered Mac desktop: Firefox on a LiveJournal page with a Sinfest comic, over dark Godlove Museum imagery in the background Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface Sketchbook 38 spread: charcoal sketches of the blackened statues on Charles Bridge, birds swarming around a saint's head Classic Mac OS dialog box reading 'Error. Success!' with an OK button — the story of my life Sketchbook 44: pencil drawing of the ruined castle of Fenouillet on its rocky hilltop, drawn as an outline map of boulders with touches of violet ink Cover of sketchbook 37: red Moleskine overlaid with gold paper drawn over in red vines and lettering — 'The...King' — a printed eye peering through the tendrils

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